They came, and when they had arrived they beheld the grandest spectacle that they had ever known. Many thousands had laboured hard to set the scene and perfect the play. Early in its inception Ikamon had instructed Tetsutaisho as to his portion; whereupon the responsive commander constructed around the plot of a hundred acres a living wall, in which each stone was a trained soldier and every picket a sharpened steel.
Such a massing of troops had never before been seen, and Tetsutaisho had not only girdled the festive place with a brilliant setting, but taught those lords and barons a lesson in fanciful show that convinced them of the shogun's effective strength. The human fence ended only at either side of the promontory, whereat gates were placed, over which a thousand blades stood guard. No force could pass that barrier. To them it seemed insurmountable from without and impenetrable from within.
Within the cordon of militia, however, the real wonders of the place began to unfold. Passing through the gate the guests were taken in hand and ushered along down the lines of dazzling soldiery toward the lower end of the park, where stood a dark, dense forest. Here they suddenly left the bright lights behind and were made to grope their way through the woods to the yawning entrance of an underground cave. Thence through its gloomy caverns beset with all the horrors of an imagined hades they hurried until they had finally emerged into the brilliant lights of the grand auditorium.
On the left side of the entrance was the mikado's booth, and on the right the shogun's: neither was better or grander than the other, but both were covered with gorgeous brocades of maple leaves and banked with solid walls of chrysanthemums. Coloured lanterns hung between the pillars in front, and open windows looked out at the back upon the city below. From the two gala booths in the centre, the royal booths stretched out on either side, skirting the brow of the hill, in the shape of a crescent, graduating in size to correspond to the several grades of nobility. To the stage in front alternate beds of flowers and open boxes, with here and there a mat-covered aisle, occupied the space. The boxes were laid with soft mats and lined with silk, while the booths were made of gold or black lacquer, with tiger or leopard skins on the floor, as suited the rank of the occupant.