Funny Boy is a coming-of-age novel by Sri Lankan-Canadian author Shyam Selvadurai. First published by McClelland and Stewart in September 1994, the novel won the Lambda Literary Award for Gay Fiction and the Books in Canada First Novel Award.

Set in Sri Lanka where Selvadurai grew up, Funny Boy is constructed in the form of six poignant stories about a boy coming to age within a wealthy Tamil family in Colombo. Between the ages of seven and fourteen, he explores his sexual identity, and encounters the Sinhala-Tamil tensions leading up to the 1983 riots.

Funny Boy (novel)

Background

The novel presents vivid sketches of family members, friends, school teachers, shown co-operating, arguing, loving, and living. The large Tamil family, and its arguments and discussions reflect a specific culture, while in many aspects the problems are universal.

Funny Boy (novel)

Tension mounts as the riots come closer to home, and the whole family sleeps in their shoes so they can quickly escape should the Sinhalese mobs descend.

Funny Boy (novel)

When Selvadurai's Funny Boy was published in 1994, it was hailed as one of the most powerful renditions of the trauma of the prevailing ethnic tensions in contemporary Sri Lanka. Selvadurai brings together the struggles of sexuality, ethnicity and class. These issues arise during the development of the protagonist, Arjie, whose maturation is framed against the backdrop of ethnic politics.

In 2006, CBC radio presented a radio dramatization of the novel, directed by filmmaker Deepa Mehta.

Selvadurai has stated that Funny Boy should not be seen as an autobiography. While both he and Arjie are gay and Sri Lankans who immigrated to Canada, they had very different experiences.

Plot

Pigs Can't Fly

The first part of the novel begins with the spend-the-days, in which the grandchildren congregate at Ammachi and Appachi's home. Arjie and his female cousins, as usual, play their game of "bride-bride", which is interrupted when their cousin Tanuja (Her Fatness) refuses to indulge Arjie's desire to be bride. The adults ultimately discover their game, and one uncle tells Arjie's father "you have a funny one here" (14). Arjie is no longer allowed to play with the girls. When he questions his mother, she responds with "because the sky is so high and pigs can't fly, that's why" (19).

Radha Aunty

The second chapter focuses on the return of Radha Aunty from America. Radha Aunty and Arjie develop a special relationship, immediately, and both become involved in a performance of The King and I. Although she receives an engagement offer from Rajan Nagendra, she is reluctant and develops a friendship with Anil Jayasinghe, a Sinhalese who is also involved in the play. The extended family warns Radha and encourages her to put an end to the relationship. Radha Aunt goes to Jaffna to forget about Anil, and on her return journey, she and other Tamils are attacked on the train. Eventually, she becomes engaged to Rajan. It is through the friendship between his aunt and Anil that Arjie begins to understand the concept of ethnicity and the Tamil-Sinhalese conflict.

See No Evil, Hear No Evil

In the third story, while Arjie's father is in Europe on a business trip, Daryl Uncle returns to Sri Lanka from Australia to investigate allegations of government torture. Arjie is cognizant of a long history between Amma and Daryl Uncle but is unsure of the cause of the tensions until he has an eventual realization of their affair. When Arjie becomes very ill, Amma decides to take Arjie from Colombo to the countryside to recover. Much to Arjie's surprise, Daryl Uncle visits Arjie and his mother throughout their stay in the hill country. Following his recovery, Arjie and Amma return to Colombo, while Daryl Uncle goes to Jaffna. When there is news that violence had broken out in Jaffna, Amma becomes worried about Daryl and eventually, they receive word that Daryl's body was found on the beach, supposedly from drowning but they suspect he was killed first. Although Amma tries to pursue the matter further, a civil rights lawyer tells her that there is nothing they can do, given the state of the country, and that "one must be like the three wise monkeys. See no evil, hear no evil, speak no evil" (141).