Jonathan Coe (; born 19 August 1961) is an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! (1994) reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources that was carried out by Margaret Thatcher's Conservative governments of the 1980s.

Early life and education

Coe was born in Bromsgrove, Worcestershire, on 19 August 1961 to Roger and Janet (née Kay) Coe. He studied at King Edward's School, Birmingham, and Trinity College, Cambridge. He taught at the University of Warwick, where he completed an MA and PhD in English Literature.

Jonathan Coe

Career

Coe has long been interested in both music and literature. In the mid-1980s he played with a band (The Peer Group) and tried to get a recording of his music. He also wrote songs and played keyboards for a short-lived feminist cabaret group, Wanda and the Willy Warmers.

Jonathan Coe

He published his first novel, The Accidental Woman, in 1987. In 1994 his fourth novel What a Carve Up! won the John Llewellyn Rhys Prize, and the Prix du Meilleur Livre Étranger in France. It was followed by The House of Sleep, which won the Writers' Guild of Great Britain Best Novel award and, in France, the Prix Médicis. As of 2022, Coe has published fourteen novels.

Jonathan Coe

Besides novels, Coe has written a biography of the experimental British novelist B. S. Johnson, Like a Fiery Elephant, which D. J. Taylor described in Literary Review as "a deeply unconventional biography," won the Samuel Johnson Prize in 2005. Also in 2005 Penguin published his "collected shorter prose", a volume consisting of only 55 pages, under the title 9th & 13th. The same collection was published in France in 2012 under the title Désaccords imparfaits.

He has written a short children's adaptation of Gulliver's Travels by Jonathan Swift, and a children's story called The Broken Mirror. Both titles are published in Italy only, as La storia di Gulliver (2011) and Lo specchio dei desideri (2012).

A handwritten manuscript page from The Rotters' Club was displayed as part of the "Writing Britain: Wastelands to Wonderlands" exhibition that ran at the British Library during 2012.

Coe was a judge for the Booker Prize in 1996, and has been a jury member at the Venice Film Festival (in 1999, under the chairmanship of Emir Kusturica) and the Edinburgh Film Festival in 2007.

In 2012 Coe was invited by Javier Marías to become a duke of the kingdom of Redonda. He chose as his title "Duke of Prunes", after a favourite piece of music by Frank Zappa.

Coe read an excerpt of The Terrible Privacy of Maxwell Sim to crowds at the Latitude Festival in July 2009. The central character was to be "a product of the social media boom", and "the sort of person with hundreds of Facebook friends but no one to talk to when his marriage breaks up."

Coe's 2019 book Middle England won the European Book Prize and also won the Costa Book Award in the Novel category.

Film and TV adaptations

Both What a Carve Up! (1994) and The Rotters' Club (2001) have been adapted as drama serials for BBC Radio 4. What a Carve Up! was adapted by David Nobbs. The Rotters' Club was adapted for television by Dick Clement and Ian La Frenais and broadcast on BBC Two in January–February 2005. The Dwarves of Death (1990) was filmed as Five Seconds to Spare in 1999, for which Coe himself co-wrote the screenplay.

The Very Private Life of Mister Sim, a French film based on The Terrible Privacy of Maxwell Sim, directed by Michel Leclerc and produced by Delante Cinema and Kare Productions, was released on 16 December 2015.

Musical collaborations

Music is a constant thread in Coe's work. He played music for years and tried to find a record label as a performer before becoming a published novelist. He had to wait until 2001 to make his first appearance on a record with 9th & 13th (Tricatel, 2001), a collection of readings of his work, set to music by jazz pianist/double bass player Danny Manners and indiepop artist Louis Philippe.