"We have brought you here," said Flores, "because it is just opposite to the Circulo des Varios Artes.[28] The pianist of the Arts Club is very conceited. We want to take him down, by showing him that a Señora can play better than he does."

I was rather annoyed; but could not draw back. So I put my best into the music. Grieg (pronounced by them Hriech) seems to suit the Spanish temperament: so I played The Wedding March, Papillion and the Carnival. There was a pause. Then faintly as a retort, from the Circulo des Varios Artes, came the easiest of Grieg's "lyrical pieces" played carefully by the maestro. As if he would say, "I too can play Grieg."

Poor Folk in Spain — Part 145

On Sunday morning we set off with Don Feliz to see the old guitar.

Poor Folk in Spain — Part 145

"It is in the house of my novia,[29] whom I shall be delighted to introduce to you."

Poor Folk in Spain — Part 145

We were amazed. Until that moment we had imagined Don Feliz to be quite an old man, but looking closely at him one could see that he might be within the limit of thirty to forty years. On this second visit to Murcia the people were not so strongly affected by my appearance in the streets. For my part I no longer wore a hat, but carried a parasol; I had exchanged my ordinary dress for an ex-munition overall, which people said was _muy elegante_. But we penetrated into a new part of the town, then was some staring and some pointing. I mentioned this casually to Don Feliz.

"Do not fear," he exclaimed, "you are safe with me. I have a terrible reputation in these parts. I am known as a bad man. If I get into a rage, my anger is terrible to see ... terrible. The children slink away in the street at my coming."

This was not the estimate we had formed of him, from his encounter with Blas in Emilio's shop. Poor Don Feliz, like so many others he had formed a dream self which contained most of the qualities in which he was lacking. I fear that only his illusive self was terrible, and that none but dream children ever shrank at his passing. The house of his novia bore on its weather-beaten front the arms of some bygone hidalgo; now it was an apartment house. We clambered up staircases of black wood, into one of the few dark-coloured interiors we have seen in Spain. The guitar was of a strange form and with a scrolled head, the curve of its shape having some of the beauty to be found in negro sculpture. Jan seized the bargain, and carried it home.