The celebrated ruins of Pæstum, consisting of two temples and a quadrangular portico, containing eighteen columns in flank, and seven in front, compose the only Grecian Doric remains in Italy. The date and origin of these structures will probably ever remain liable to doubt. This arises partly from the singular nature of some of the buildings themselves, as well as from the obscurity which rests upon this portion of history in general. The greater of the two temples bears evident character of the same design and architectural principles as the Sicilian edifices; between which latter, indeed, as compared with each other, there exists, in this respect, a very striking uniformity, pointing to a nearly contemporary erection. Hence the inference seems clear, that to the same era the Pæstan ruin is to be referred, and that it is the work of Greek colonists from Sybaris, who, from the middle of the sixth century B. C., for more than two hundred years enjoyed peaceable possession of this part of Lucania. This temple, though not equal in magnitude to some ruins in Sicily, is a very noble, and the largest pile in a state of such perfection out of Greece. Not a single column of the outer peristylia is wanting. It was within this 'pillared range,' during the moonlight of a troubled sky, we experienced emotions of the awful and sublime, such as impress a testimony, never to be forgotten, of the power of art over the affections of the mind.

The other ruins, which some consider a temple and a hall of justice, others, with greater probability, two temples, though, like the former in situation,

History of Sculpture, Painting, and Architecture — Part 145

They stand between the mountain and the sea, Awful memorials, but of whom we know not,

History of Sculpture, Painting, and Architecture — Part 145

are far inferior in dignity of effect and purity of style. Nor are these defects the consequences of a progressive knowledge advancing to better things, they are evident corruptions of ancient simplicity. Both these are to be referred to a period posterior to the Roman conquest of the city, which occurred in the 481st year of Rome, that is, not three centuries before our era. Of the same age are the walls, remaining in considerable entireness, especially the eastern gate, as represented in the vignette, where the voussoirs, or arch-stones, still span the entrance.

History of Sculpture, Painting, and Architecture — Part 145