[159] _i.e._ does not keep up a distinction between percipient and object, as between things in space. Goodness, nobleness, etc., are not felt to be other than or outside the mind.
[161] _i.e._ species, modifications naturally arising out of a principle.
[162] Thus _e.g._ Sculpture is _the_ art which corresponds _par excellence_ to the general type called Classical Art; but there is _a_ Symbolic kind of sculpture, and I suppose _a_ Romantic or modern kind of sculpture, although neither of these types are exactly fitted to the capabilities of Sculpture.
[163] Architecture as relative to the purposes of life and of religion. See below, p. 162.
[165] In the sense "self-complete," "not primarily regarded as explained by anything outside," like a machine or an animal contrasted with a wheel or a limb, which latter are finite, because they demand explanation and supplementation from without, _i.e._ necessarily draw attention to their own limit.
[166] _i.e._ shape taken simply as an object filling space.
[167] The terms used in the text explain themselves if we compare, _e.g._, a Teniers with a Greek statue, or again, say, a Turner with the same. "Subjectivity" means that the work of art appeals to our ordinary feelings, experiences, etc. Music and poetry are still stronger cases than painting, according to the theory. Poetry especially can deal with _everything_.
[168] The unity of the individuals forming a church or nation is not visible, but exists in common sentiments, purposes, etc., and in the recognition of their community.
[169] An expression constantly applied to consciousness, because it can look at itself. _Cf._:--
"'Tell me, good Brutus, can you see your face?' 'No, Cassius; for the eye sees not itself But by reflection, by some other things.'"
[170] Posited or laid down to be ideal; almost = pronounced or made _to be_ in the sense of _not being_; e.g. musical sound is "ideal" as existing, _qua_ work of art, in memory only, the moment in which it is actually heard being fugitive; a picture, in respect of the third dimension, which has to be read into it; and poetry is almost wholly ideal, _i.e._ uses hardly any sensuous element, but appeals almost entirely to what exists _in the mind_. "Subdivided," "_besondert_," like "_particularisirt_" above; because of the variety and diversity present in the mere material of colours, musical sounds, and ideas.