Brazilian literature has been seriously prejudiced by partisan politics and dilettantism. The colonial period was one of strict repression, the intellectual life of the people being jealously supervised by the church to protect itself against heresy, and their progress being restricted by the Portuguese crown to protect its monopoly of the natural resources of the country. The arrival of Dom John VI. in 1808 broke down some of these restrictions, and the first year of his residence in Rio de Janeiro saw the establishment of the first printing press in Brazil and the publication of an official gazette. There was no freedom of the press, however, until 1821, when the abolition of the censorship and the constitutional struggle in Portugal gave rise to a political discussion that marked the opening of a new era in the development of the nation, and aroused an intellectual activity that has been highly productive in journalistic and polemical writings. In no country, perhaps, has the press exercised a more direct and powerful influence upon government than in Brazil, and in no other country can there be found so high a percentage of journalists in official life. Some of the political writers have played an important part in moulding public opinion on certain questions, as in the case of A.C. Tavares Bastos, whose _Cartas do Solitario_ were highly instrumental in causing the Amazon to be thrown open to the world's commerce and also in preparing the way for the abolition of slavery; and in that of Joaquim Saldanha Marinho, whose discussions in 1874-1876 of the relations between church and state prepared the way for their separation. The personal element is conspicuous in the Brazilian journalism, and for a considerable period of its history libellous attacks on persons, signed by professional sponsors, popularly called _testas de ferro_ (iron heads), were admitted at so much a line in the best newspapers.
The singular adaptability of the Portuguese language to poetical expression, coupled with the imaginative temperament of the people, has led to an unusual production and appreciation of poetry. The percentage of educated men who have written little volumes of lyrics is surprisingly large, and this may be accounted for by the old Portuguese custom of reciting poetry with musical accompaniment. The most popular of the Brazilian poets are Thomaz Antonio Gonzaga, Antonio Gonçalves Dias and Bernardo Guimarães. Among the dramatists and novelists may be mentioned Joaquim Manoel de Macedo, José Martiniano de Alencar, Bernardo Guimarães, A. de Escrangnolle Taunay and J.M. Machado de Assis. José M. de Alencar is usually described as the greatest of Brazilian novelists. The most popular of his romances are _Iracema_ and _O Guarany_. In historical literature Brazil has produced one writer of high standing--Francisco Adolpho Varnhagen (Visconde de Porto Seguro), whose _Historia Geral do Brazil_ is a standard authority on that subject. The two English authorities, Robert Southey's _History of Brazil_, covering the colonial period, and John Armitage's _History of Brazil_, covering the period between the arrival of the Braganza family (1808) and the abdication of Dom Pedro I. (1831), have been translated into Portuguese. Another Brazilian historian of recognized merit is João Manoel Pereira da Silva, whose historical writings cover the first years of the empire, from its foundation to 1840. Among the later writers João Capistrano de Abren has produced some short historical studies of great merit. In the field of philosophic speculation, Auguste Comte has had many disciples in Brazil.