Celaya is far-famed for its candy. All over the republic sounds the cry of "Cajetas de Celaya!" Mexico shows a great liking for sweets; no block is complete without its little stands or peregrinating hawkers of all manner of temptations to the sweet-toothed, ranging from squares of "fudge" in all colors of the rainbow to barber-pole sticks a half-yard long. The station was surrounded with soap-less old women, boys, and even men offering for sale all sizes of the little wooden boxes of the chief local product, in appearance like axle-grease, but delicious far beyond its looks, and with vendors of everything imaginable, to say nothing of a ragged, dirty multitude of all ages with no business there--nor anywhere else.
When I had spread out over two wooden seats of the big, bustling El Paso Limited I was quickly reminded of the grim, business-bent, American engineer in gray hair, the unlit half of a cigar clamped tightly between his teeth, of whom I had caught a half-conscious glance in the cab window. One could literally _feel_ his firm American hand at the throttle as the heavy train gathered steady headway and raced away to the eastward. Across the car sat two handsome, solidly-knit young bull-fighters, their little rat-tail _coletas_ peering from behind their square-cut hats. We sped steadily across the sun-flooded, dry, brown plateau, slightly rolling, its fields alternating between the dead tint of dry corn and newly plowed patches. Here for the first time were pulque producing fields of maguey, planted in long, straight, emerald-green rows.
As Irapuato for its strawberries, and Celaya for its sweets, so Queretaro is famed for its huge, cheap hats, of a sort of reed, large enough to serve as umbrellas, and for its opals. From the time he steps off the train here until he boards it again, the traveler, especially the "gringo," is incessantly pestered by men and boys offering for sale these worthless bright pebbles--genuine and otherwise. Here again are the same endless rows of one-story, stucco houses, intersecting cobbled and dust-paved streets, running to the four corners of the compass from a central plaza planted with tall, slim trees, the interwoven branches of which almost completely shade it. The cathedral houses, among other disturbing, disgusting, and positively indecent representations of the Crucifixion and various martyrdoms done in the Aztec style of bloody realism, a life-size _Cristo_ with masses of long real hair and a pair of knee-length knit drawers for decency's sake. One might fancy the place weighed down by a Puritan censorship. The local museum contains among other rubbish of the past the keyhole through which Josefa whispered in 1810 the words that started the revolution against Spanish power! Here, too, is what purports to be an authentic photograph of the execution of Maximilian, theatrical to a Spanish degree, the three victims standing in their places, the once "Emperor of the Mexicans" holding a large crucifix, and several of the boy soldiers who executed them crowded eagerly into the corners of the picture. More impressive to the incredulous is the plain, tapering, wooden coffin in which the chief body was placed, the bottom half covered with faded blood and on one of the sides the plain, dull-red imprint of a hand, as if the corpse had made some post-mortem effort to rise from the grave. The portrait of the transplanted scion of Austria shows a haughty, I-am-of-superior-clay man, of a distinctly mediocre grade of intellect, with a forest of beard that strives in vain to conceal an almost complete absence of chin.