“Bless me, is that how you take it!--Baron, do you not remember what you said to me the day of Hortense’s marriage: ‘Can two old gaffers like us quarrel over a petticoat? It is too low, too common. We are _Regence_, we agreed, Pompadour, eighteenth century, quite the Marechal Richelieu, Louis XV., nay, and I may say, _Liaisons dangereuses_!”
Crevel might have gone on with his string of literary allusions; the Baron heard him as a deaf man listens when he is but half deaf. But, seeing in the gaslight the ghastly pallor of his face, the triumphant Mayor stopped short. This was, indeed, a thunderbolt after Madame Olivier’s asservations and Valerie’s parting glance.
“Good God! And there are so many other women in Paris!” he said at last.
“That is what I said to you when you took Josepha,” said Crevel.
“Look here, Crevel, it is impossible. Give me some proof.--Have you a key, as I have, to let yourself in?”
And having reached the house, the Baron put the key into the lock; but the gate was immovable; he tried in vain to open it.
“Do not make a noise in the streets at night,” said Crevel coolly. “I tell you, Baron, I have far better proof than you can show.”
“Proofs! give me proof!” cried the Baron, almost crazy with exasperation.
“Come, and you shall have them,” said Crevel.
And in obedience to Valerie’s instructions, he led the Baron away towards the quay, down the Rue Hillerin-Bertin. The unhappy Baron walked on, as a merchant walks on the day before he stops payment; he was lost in conjectures as to the reasons of the depravity buried in the depths of Valerie’s heart, and still believed himself the victim of some practical joke. As they crossed the Pont Royal, life seemed to him so blank, so utterly a void, and so out of joint from his financial difficulties, that he was within an ace of yielding to the evil prompting that bid him fling Crevel into the river and throw himself in after.
On reaching the Rue du Dauphin, which had not yet been widened, Crevel stopped before a door in a wall. It opened into a long corridor paved with black-and-white marble, and serving as an entrance-hall, at the end of which there was a flight of stairs and a doorkeeper’s lodge, lighted from an inner courtyard, as is often the case in Paris. This courtyard, which was shared with another house, was oddly divided into two unequal portions. Crevel’s little house, for he owned it, had additional rooms with a glass skylight, built out on to the adjoining plot, under conditions that it should have no story added above the ground floor, so that the structure was entirely hidden by the lodge and the projecting mass of the staircase.