If we leave Kadesh and proceed northwards, the local names bear more and more the peculiar stamp of a Hittite origin. We leave Semitic names like Kadesh, 'the sanctuary,' behind us, and at length find ourselves in a district where the geographical names no longer admit of a Semitic etymology. It is just this district, moreover, in which Hittite inscriptions first become plentiful. The first met with to the south are the stones of Hamath and the lost inscription of Aleppo; but from Carchemish northwards we now know that numbers of them still exist. The territory covered by them is a square, the base of which is formed by a line running from Carchemish through Antioch into Lykaonia, while the remains at Boghaz Keui and Eyuk constitute its northern limit. We must regard this region as having been the primeval home and starting-point of the Hittite race. They will have been a population which clustered round the two flanks of the Taurus range, extending far into Kappadokia on the north, and towards Armenia on the east.
They preserved their independence on the banks of the Halys in Kappadokia for nearly two hundred years after the fall of Carchemish. It was not long before the overthrow of Lydia by Cyrus that Kroesos, the Lydian king, destroyed the cities of Pteria, where the ruins of Boghaz Keui and Eyuk now stand, and enslaved their inhabitants, thus avenging upon them the conquest of his own country by their ancestors so many centuries before. Herodotos calls them 'Syrians,' a name which is qualified as 'White Syrians' by the Greek geographer Strabo. It was in this way that the Greek writer wished to distinguish them from the dark-coloured Syrians of Aramean or Jewish birth, with whom he was otherwise acquainted; and it reminds us that, whereas the Egyptian artists painted the Hittites with yellow skins, they painted the Syrians with red. It is an interesting fact that the memory of their relationship to the population on the Syrian side of the Taurus should have been preserved so long among these Hittites of Kappadokia.
[Illustration: THE DOUBLE-HEADED EAGLE OF EYUK.]
Boghaz Keui and Eyuk are situated in the district known as Pteria to the Greeks. At Eyuk there are remains of a vast palace, which stood on an artificial platform of earth, like the palaces of Assyria and Babylon. The walls of the palace, formed of huge blocks of cut stone, can still be traced in many places. It was approached by an avenue of sculptured slabs, on which lions were represented, some of them in the act of devouring a ram. The head and attitude of one that is preserved remind us of the avenue of ram-headed sphinxes which led to the temple of Karnak at Thebes. The entrance of the palace was flanked on either side by two enormous monoliths of granite, on the external faces of which were carved in relief the images of a sphinx. But though the artist had clearly gone to Egypt for his model, it is also clear that he had modified the forms he imitated in accordance with national ideas. The head-dress, like the feet, of the sphinxes is non-Egyptian, the necklace passes under the chin instead of falling across the breast, and the sphinx itself is erect, not recumbent, as in Egypt. On the right hand the same block of stone which bears the figure of the sphinx bears also, on the inner side, the figure of a double-headed eagle, with an animal which Professor Perrot believes to be a hare in either talon, and a man standing upon its twofold head. The same double-headed eagle, supporting the figure of a man or a god, is met with at Boghaz Keui, and must be regarded as one of the peculiarities of Hittite symbolism and art. The symbol was adopted in later days by the Turkoman princes, who had perhaps first seen it on the Hittite monuments of Kappodokia; and the Crusaders brought it to Europe with them in the 14th century. Here it became the emblem of the German Emperors, who have passed it on to the modern kingdoms of Russia and Austria. It is not the only heirloom of Hittite art which has descended to us of to-day.