The legal code of Norway is well worthy of study, both on account of its antiquity and its admirable provisions. The old sea-kings, or free-booters as we have been accustomed to consider them, had a more advanced and civilized code than any of the people whose shores they devastated. Before the year 885 the power of the law was established over all persons of all ranks, while in the other countries of Europe the independent jurisdiction of the feudal lords defied the law until centuries later. Before the eleventh century the Scandinavian law provided for equal justice to all, established a system of weights and measures, also one for the maintenance of roads and bridges, and for the protection of women and animals,--subjects which no other European code at that time embraced. These laws were collected into one code by Magnus VII. about the year 1260. They were revised by Christian IV. in 1604, and in 1687 the present system was drawn up. So simple and compact is it that the whole is contained in a pocket volume, which is in the possession of every Norwegian family. Each law occupies but a single paragraph, and all is simple and intelligible. Speaking of these early law-makers (as well as law-breakers!) Carlyle says: "In the old Sea-Kings, what an indomitable energy! Silent, with closed lips, as I fancy them, unconscious that they were specially brave; defying the wild ocean with its monsters, and all men and things; progenitors of our Blakes and Nelsons!"
The Royal Palace of Christiania is pleasantly situated on an elevated site, the highest ground in fact within the city, surrounded by an open park containing miniature lakes, canals, and groves of charming trees. The park is called the Royal Gardens, which are always open to the public. Fronting the palace is an admirable equestrian statue in bronze of the citizen King Bernadotte, who ascended the throne of Sweden under the name of Carl Johan XIV., and it bears his consistent motto: "The people's love is my reward." The palace is a large plain edifice of brick, quadrangular in shape and painted a dull ugly yellow, with a simple portico. It was erected within the last fifty years, and looks externally like a huge cotton-factory. The Queen's apartments are on the ground floor and are very beautifully furnished, especially the White Saloon, so called. Above these are the King's apartments, embracing the usual variety of state halls, audience chambers, reception rooms and the like, plainly and appropriately furnished. The palace contains some of Tidemand's best pictures. There is also a royal villa called Oscar's Hall, situated in the immediate environs on the peninsula of Ladegaardsöen, less than three miles from the city proper. It is a Gothic structure amid the woods, eighty feet above the level of the waters of the harbor which it overlooks. Oscar Hall, with its one castellated tower, is scarcely more than a shooting-box in size, though it is dignified with the name of palace. The grounds are wild and irregular, covered mostly with a fine growth of trees, mingled with which the mountain ash was conspicuous with its clusters of berries in royal scarlet. The air was full of the fragrance of the lily-of-the-valley, which lovely little flower grows here after its own sweet will in rank profusion. There are a few choice paintings in the Hall, especially some admirable panels by Tidemand representing scenes in Norwegian peasant life, and called "The Age of Man from the cradle to the grave." There are also, we feel constrained to say, some very poor pictures on the walls of Oscar's Hall. In the garden near the villa were many familiar flowers in a thrifty condition, such as lilacs, white and scarlet honeysuckles, sweet peas, yellow tiger-lilies and peonies, besides some curious specimens of cacti and a wonderfully fragrant bed of low-growing mignonette. It was singular to see flowers and fruits which with us have each their special season, here hastening into bloom and ripeness all together.