In those times, how happy did he think the players, whom he saw possessed of so many splendid garments, trappings, and arms; and in the constant practice of a lofty demeanor, the spirit of which seemed to hold up a mirror of whatever, in the opinions, relations, and passions of men, was stateliest and most magnificent. Of a piece with this, thought Wilhelm, is also the player's domestic life,--a series of dignified transactions and employments, whereof their appearance on the stage is but the outmost portion; like as a mass of silver, long simmering about in the purifying furnace, at length gleams with a bright and beautiful tinge in the eye of the refiner, and shows him, at the same time, that the metal now is cleansed of all foreign mixture.

Great, accordingly, was his surprise at first, when he found himself beside his mistress, and looked down, through the cloud that environed him, on tables, stools, and floor. The wrecks of a transient, light, and false decoration lay, like the glittering coat of a skinned fish, dispersed in wild disorder. The implements of personal cleanliness,--combs, soap, towels,--with the traces of their use, were not concealed. Music, portions of plays and pairs of shoes, washes and Italian flowers, pin-cushions, hair-skewers, rouge-pots, and ribbons, books and straw hats,--no article despised the neighborhood of another: all were united by a common element,--powder and dust. Yet as Wilhelm scarcely noticed in her presence aught except herself; nay, as all that had belonged to her, that she had touched, was dear to him,--he came at last to feel, in this chaotic housekeeping, a charm which the proud pomp of his own habitation never had communicated. When, on this hand, he lifted aside her bodice, to get at the harpsichord; on that, threw her gown upon the bed, that he might find a seat; when she herself, with careless freedom, did not seek to hide from him many a natural office, which, out of respect for the presence of a second person, is usually concealed,--he felt as if by all this he was coming nearer to her every moment, as if the communion betwixt them was fastening by invisible ties.

Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2) — Part 46

It was not so easy to reconcile with his previous ideas the behavior of the other players, whom, on his first visits, he often met with in her house. Ever busied in being idle, they seemed to think least of all on their employment and object: the poetic worth of a piece they were never heard to speak of, or to judge of, right or wrong; their continual question was simply, How much will it _bring_? Is it a stock-piece? How long will it run? How often think you it may be played? and other inquiries and observations of the same description. Then commonly they broke out against the manager, that he was stinted with his salaries, and especially unjust to this one or to that; then against the public, how seldom it recompensed the right man with its approval, how the German theatre was daily improving, how the player was ever growing more honored, and never could be honored enough. Then they would descant largely about wine-gardens and coffee-houses; how much debt one of their comrades had contracted, and must suffer a deduction from his wages on account of; about the disproportion of their weekly salaries; about the cabals of some rival company: on which occasions, they would pass again to the great and merited attention which the public now bestowed upon them; not forgetting the importance of the theatre to the improvement of the nation and the world.

Wilhelm Meister's Apprenticeship and Travels, Vol. I (of 2) — Part 46