Before leaving Fougeres the chief secretly issued to his own men ample supplies of ammunition and sufficient rations of bread for the whole detachment, so as to conceal from the conscripts the length of the march before them. He intended not to stop at Ernee (the last stage before Mayenne), where the men of the contingent might find a way of communicating with the Chouans who were no doubt hanging on his flanks. The dead silence which reigned among the recruits, surprised at the manoeuvring of the old republican, and their lagging march up the mountain excited to the very utmost the distrust and watchfulness of the chief--whose name was Hulot. All the striking points in the foregoing description had been to him matters of the keenest interest; he marched in silence, surrounded by five young officers, each of whom respected the evident preoccupation of their leader. But just as Hulot reached the summit of La Pelerine he turned his head, as if by instinct, to inspect the anxious faces of the recruits, and suddenly broke silence. The slow advance of the Bretons had put a distance of three or four hundred feet between themselves and their escort. Hulot’s face contorted after a fashion peculiar to himself.
“What the devil are those dandies up to?” he exclaimed in a sonorous voice. “Creeping instead of marching, I call it.”
At his first words the officers who accompanied him turned spasmodically, as if startled out of sleep by a sudden noise. The sergeants and corporals followed their example, and the whole company paused in its march without receiving the wished for “Halt!” Though the officers cast a first look at the detachment, which was creeping like an elongated tortoise up the mountain of La Pelerine, these young men, all dragged, like many others, from important studies to defend their country, and in whom war had not yet smothered the sentiment of art, were so much struck by the scene which lay spread before their eyes that they made no answer to their chief’s remark, the real significance of which was unknown to them. Though they had come from Fougeres, where the scene which now presented itself to their eyes is also visible (but with certain differences caused by the change of perspective), they could not resist pausing to admire it again, like those dilettanti who enjoy all music the more when familiar with its construction.