May the endeavour of such a society as this, assisted as it has been chiefly by individual efforts, but countenanced by the Dominion Government, be to extend for the general good of our country, the experience it earns and whatever success is secured by the co-operation of the citizens.
[During the delivery of the address the gates had been opened and the people allowed to come in so as to hear His Excellency's reply, and at its close they gave hearty cheering.]
The first Exhibition of the Royal Canadian Academy of Art took place at Ottawa in 1880. The experiment of collecting together the work of artists resident in the country, was a success from the commencement, and the annual meetings since held have fully warranted the formation of a National Society for the Promotion of Art. The Governor-General gave the opening address as follows:--
Ladies and Gentlemen,--It is now my duty to declare this first exhibition of the Canadian Academy to be open to what, I am sure, will be an appreciative public. That this ceremony should take place to-day is characteristic of the energy with which any project likely to benefit our community is pushed in this country, for it is only ten months ago, on the occasion of the opening of the Local Art Gallery at Montreal, that the proposal for the institution of the Canadian Academy of Arts was made. To-day the Academy is to be congratulated not only upon being able to show the pictures and the works of art which you see around you this evening, but upon the favourable reception which the appearance of such an association has received from all classes. I have indeed seen nothing but the kindest criticism. Although I believe some gentlemen have been good enough to propose we should postpone the initiation of this institution for the present, and should wait for the short and moderate space of exactly 100 years, and look forward to its incorporation in the year of grace 1980. It is difficult to meet such gentle criticism, but the Academy may be allowed to suggest that although in the words of the old saying, "art is long-lived," yet that "life is short." Art will, no doubt, be in vigorous life in Canada a century hence, but, on the other hand, we must remember that at that time these gentle critics may have disappeared from the scene, and they will themselves allow that it is for the benefit of the Academy that it should begin its existence while still subject to their own friendly supervision. It is impossible to agree with the remark, that we have no material in Canada for our present purposes, when we see many excellent works on these walls; and if some do not come up to the standard we may set ourselves, what is this but an additional argument for the creation of some association which shall act as an educator in these matters? Now, gentlemen, what are the objects of your present effort? A glance at the constitution of the Society will show your objects are declared to be: the encouragement of industrial Art by the promotion of excellence of design, the support of Schools of Art throughout the country, and the formation of a National Gallery of Art at the seat of Government. The first of these objects, the encouragement of good design, receives an illustration in a room which I hope all present will make it a point to visit--a room on the second floor, where many tasteful and good designs have been exhibited in competition for prizes generously given by several gentlemen, who recognise the good effect such competitions are likely to have upon trade. Many of the best of these designs have been called forth by a prize offered by a member of the Legislature, and it is to be sincerely hoped that in future years his example, and the example of those who have acted in a similar manner, may be more widely and generally followed. English manufacture, as you know, has become famous for its durability; French manufacture for its beauty and workmanship; and here, where we have a people sprung from both races, we should be able to combine these excellences, so that Canadian manufacture may hold a high place in the markets of the world. The next object of the association is to be worked out on the same lines by the support afforded the local schools; and here I must emphatically impress on all who care for the encouragement of Art in Canada, that however popular the Academy exhibitions may become, however much you are able to strengthen its hands in assisting provincial efforts, the assistance it gives to any provincial schools can only supplement, and can never stand in the place of, provincial effort.