During the reign of their lion-hearted successor, we meet with an illustration, showing how fools could be employed in order to support a vicious political system. Richard the First’s Chancellor, William Longchamp, may with propriety be called, the “proud,” for he sealed public acts, says Lord Campbell, “with his own signet seal, instead of the Great Seal of England.” Proud as he was, this Picard prelate (who was Bishop of Ely) was of very mean extraction. To him Richard left, conjointly with the Bishop of Durham, the guardianship of the realm, during the King’s absence in the Holy Land. Longchamp however clapped his colleague into prison, and ruled England by his sole authority. He maintained the state of the most ostentatious of sovereigns, and set such an example of arrogance and want of principle, that his body-guard became terrible for their rapine and licentiousness; and his servants, even when their master lodged for a night in a monastery, devoured in that one night the revenue of several years. The people at large suffered in proportion, and suffering was followed by grumbling, and that was succeeded by wrath. But, says the author of ‘The Lives of the Chancellors,’ (apparently translating a passage from Roger Hoveden _in Ricardo I._, p. 340,) “to drown the curses of the natives, he brought over from France, at a great expense, singers and jesters, who sang verses in places of public resort, declaring that the Chancellor never had his equal in the world.” The above, it will have been seen, is an example of jesters being employed, not with license to speak bold and droll truths to their master, but with commission to utter sorry jokes and dreary falsehoods, for the purpose of deceiving a nation.
I have previously noticed that Blondel, whom tradition makes the discoverer of his captive master, by means of a song, is called, by Bouchez, “that buffoon of a minstrel.” By others he is styled a “troubadour knight.” However much or little of the character of the jester may have entered into the character of the minstrel Blondel, it would not be easy to say. We may speak with more certainty of another of Richard’s minstrels, Anselme Fayditt, whose poetry the Provençal critics eulogized for its wit and good sense, “poésie à bons mots et de bon sens.” A third minstrel, Fouquet de Marseilles, is also celebrated for his ready wit, which made him the “delight of the court.” There probably was some difference of quality in the latter minstrels, for while Fayditt ultimately travelled about the country, on foot, in search of a livelihood, singing songs, and accompanied by a runaway nun who sang as well as Fayditt himself, Fouquet, in strong contrast with such a vagabond, abandoned minstrelsy, turned monk, and became Bishop of Toulouse.