This intelligence is unexpected as it is melancholy; for who had better reason to look forward to a protracted existence upon earth, than he who has written more than any other man except Voltaire--than Robert Southey, perfectly proportioned in person, just in mind, regular in his way of living, and benevolent in all his doings?
During that Spring which hallowed the last revolution in France, (that of July, 1830,) I saw this bard of the lakes surrounded by his most amiable and certainly beautiful family; one only individual of which, his "Dark-eyed Birtha, timid as a dove," was then absent. I must ever believe that a common reputation for beauty depends more on circumstances than on any particular faultlessness in the person said generally to be handsome.
Byron, in some one of the letters or conversations, written either by or for him, says, or is said to say: "I saw Southey (naming the time) at Lord Holland's, and would give Newstead for his head and shoulders." This quotation is from memory, but, I trust, right in sentiment, though it may not be perfectly so in words; but I have seen little else concerning the physique either of him "Who framed of Thalaba that wild and wondrous song," or of those to whom his blood is transmitted. Still, at the time I have mentioned, it was impossible to look unmoved upon so much perfection of color, sound and expression as arrested my eyes at Keswick; in the tasteful and hospitable dwelling of him who brought to earth that "Glendoveer," "one of the fairest race of Heaven," (the heaven of India,) who averted the designs of Arvalan, in that glowing and magnificent poem "The Curse of Kehama."
The Herodotus of Brazil, himself, had seen, when I first saw him, fifty-seven winters; but his once dark locks, though sprinkled with snow, were still curling as if childhood had not passed; and looked wild and thick as those of his own Thalaba. A "chevelure" like this, with black eyes, aquiline features, and figure tall and slender, without attenuation, assisted in presenting such an image as is seldom viewed in reality; while the effect of the whole was enhanced by easy, unpretending and affectionate manners.
The eldest daughter of this Minstrel of the Mountains was called _Edith May_, (the name of May having been given because she was born in the month of blossoms.) This lady (now Mrs. Warter,) was the bard himself with a different sex and complexion. "Her features his, but softened." Her gentle, graceful deportment was in perfect harmony with flaxen hair tinted with gold; and the outline of her father's face was embellished by the blue eyes and other delicate colors of her too sensitive mother, (named, also, Edith,) who had been chosen for love alone. The second daughter, Birtha, as I have said, was absent. The third, Catherine, "between the woman and the child," had hazel eyes and fine features, altogether with a delicate shape and complexion. Cuthbert, the only son, was a boy of eleven or twelve, with an open, expressive countenance.