But hark to the spirit-stirring voice of the bugle scaling the sky, and leaping up and down in echoes among the distant mountains! Such a strain animates the voltigeur, skirmishing in front of the line of battle, or sending flashes of sudden death from the woods. Alas for him who now deludes his yet high heart with a few notes of the music that so often was accompanied by his sword waving on to glory! Unappalled was he ever in the whizzing and hissing fire--nor did his bold broad breast ever shrink from the bayonet, that with the finished fencer's art he has often turned aside when red with death. In many of the pitched battles of the Spanish campaigns his plume was conspicuous over the dark green lines, that, breaking asunder in fragments like those of the flowing sea, only to re-advance over the bloody fields, cleared the ground that was to be debated between the great armaments. Yet in all such desperate service he never received one single wound. But on a mid-day march, as he was gaily singing a love-song, the sun smote him to the very brain, and from that moment his right hand grasped the sword no more.

Not on the face of all the earth--or of all the sea--is there a spot of profounder peace than that isle that has long been his abode. But to him all the scene is alive with the pomp of war. Every far-off precipice is a fort, that has its own Spanish name--and the cloud above seems to his eyes the tricolor, or the flag of his own victorious country. War, that dread game that nations play at, is now to the poor insane soldier a mere child's pastime, from which sometimes he himself will turn with a sigh or a smile. For sense assails him in his delirium, for a moment and no more; and he feels that he is far away, and for ever, from all his companions in glory, in an asylum that must be left but for the grave! Perhaps in such moments he may have remembered the night, when at Badajos he led the forlorn hope; but even forlorn hope now hath he none, and he sinks away back into his delusions, at which even his brother sufferers smile--so foolish does the restless campaigner seem to these men of peace!

Recreations of Christopher North, Volume I (of 2) — Part 168

Lo! a white ghost-like figure, slowly issuing from the trees, and sitting herself down on a stone, with face fixed on the waters! Now she is so perfectly still, that had we not seen her motion thither, she and the rock would have seemed but one! Somewhat fantastically dressed, even in her apparent despair. Were we close to her, we should see a face yet beautiful, beneath hair white as snow. Her voice too, but seldom heard, is still sweet and low; and sometimes, when all are asleep, or at least silent, she begins at midnight to sing! She yet touches the guitar--an instrument in fashion in Scotland when she led the fashion--with infinite grace and delicacy--and the songs she loves best are those in a foreign tongue. For more than thirty years hath the unfortunate lady come to the water's edge daily, and hour after hour continue to sit motionless on that self-same stone, looking down into the loch. Her story is now almost like a dim tradition from other ages, and the history of those who come here often fades away into nothing. Everywhere else they are forgotten--here there are none who can remember. Who once so beautiful as the "Fair Portuguese?" It was said at that time that she was a Nun--but the sacred veil was drawn aside by the hand of love, and she came to Scotland with her deliverer! Yes, her deliverer! He delivered her from the gloom--often the peaceful gloom that hovers round the altar of Superstition--and after a few years of love and life and joy--she sat where you now see her sitting, and the world she had adorned moved on in brightness and in music as before! Since there has to her been so much suffering--was there on her part no sin? No--all believed her to be guiltless, except one, whose jealousy would have seen falsehood lurking in an angel's eyes; but she was utterly deserted; and being in a strange country, worse than an orphan, her mind gave way; for say not--oh say not--that innocence can always stand against shame and despair! The hymns she sings at midnight are hymns to the Virgin; but all her songs are songs about love, and chivalry, and knights that went crusading to the Holy Land. He who brought her from another sanctuary into the one now before us, has been dead many years. He perished in shipwreck--and 'tis thought that she sits there gazing down into the loch, as on the place where he sank or was buried; for when told that he was drowned, she shrieked, and made the sign of the cross--and since that long-ago day that stone has in all weathers been her constant seat.

Recreations of Christopher North, Volume I (of 2) — Part 168