It is the fate of all men who have made a great and durable impression on human affairs, and powerfully affected the interests, or thwarted the opinion of large bodies of men, to be represented in these opposite colours to future times. The party, whether in church or state, which they have elevated, the nation whose power or glory they have augmented, praise, as much as those whom they have oppressed and injured, whether at home or abroad, strive to vilify their memory. But in the case of Louis XIV., this general propensity has been greatly increased by the opposite, and, at first sight, inconsistent features of his character. There is almost equal truth in the magniloquent eulogies of his admirers, as in the impassioned invectives of his enemies. He was not less great and magnanimous than he is represented by the elegant flattery of Racine or Corneille, nor less cruel and hard-hearted than he is painted by the austere justice of Sismondi or D'Aubigné. Like many other men, but more than most, he was made up of lofty and elevated, and selfish and frivolous qualities. He could alternately boast, with truth, that there were no longer any Pyrenees, and rival his youngest courtiers in frivolous and often heartless gallantry. In his younger years he was equally assiduous in his application to business, and engrossed with personal vanity. When he ascended the throne, his first words were: "I intend that every paper, from a diplomatic dispatch to a private petition, shall be submitted to me;" and his vast powers of application enabled him to compass the task. Yet, at the same time, he deserted his queen for Madame la Vallière, and soon after broke La Vallière's heart by his desertion of her for Madame de Montespan. In mature life, his ambition to extend the bounds and enhance the glory of France, was equalled by his desire to win the admiration or gain the favour of the fair sex. In his later days, he alternately engaged in devout austerities with Madame de Maintenon, and, with mournful resolution, asserted the independence of France against Europe in arms. Never was evinced a more striking exemplification of the saying, so well known among men of the world, that no one is a hero to his valet-de-chambre; nor a more remarkable confirmation of the truth, so often proclaimed by divines, that characters of imperfect goodness constitute the great majority of mankind.
Film Brief
Blackwood's Edinburgh Magazine, Vol. 60, No. 373, November 1846 — Part 2
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