The Mannheimers took but little interest in 'Fiesco,'--it was too erudite for them, as Schiller explained to Reinwald some months later.[58] Republican liberty, he went on to say, was in that region a sound without meaning; there was no Roman blood in the veins of the Pfälzer. In Berlin and Frankfurt, however, the piece had met with good success. We cannot blame Schiller for trying to extract comfort from these bits of evidence that the prophet was not without honor save in his own country, though we may question his implication that republican ideas were just then less rife in the Palatinate than in Berlin and Frankfurt. The fact is that the lover of republican ideas must have been the very person to feel the keenest dissatisfaction with 'Fiesco.' Where it did succeed, its success was due to causes having little to do with political sentiment. The Berlin triumph was equivocal, being the triumph not so much of Schiller as of one Plümicke, who took high-handed liberties with the original text and made it over, in both language and thought, so as to suit the taste of the Berlin actors. This northern version, thus diluted with the water of the Spree, was presently published by the enterprising pirate, Himburg, and proved a formidable rival of the genuine edition. The play was tried at several theaters and with various endings,--curiously enough Plümicke made Fiesco commit suicide in the moment of his triumph,--but it never became really popular. It was translated into English in 1796, into French in 1799.
Much more favorable was the reception given to 'Cabal and Love', which was first played at Mannheim on the 15th of April, 1784.[59] The part of the lackey who describes the horrors attending the exportation of soldiers to America was omitted; the satire was too strong for the politic Dalberg, who had all along been troubled by Schiller's drastic treatment of princely iniquity and his obvious allusions to well-known persons. Even Schwan, who was delighted with 'Louise Miller' from the first and readily undertook to publish it, described its author as an executioner. This time the Mannheimers had no difficulty of comprehension and they gave their applause unstintingly. After the great scene in the second act they rose and cheered vociferously,--whereat Schiller bowed and felt very happy. 'His manner', says honest Streicher, who has left a report of the memorable evening, 'his proud and noble bearing, showed that he had satisfied himself and was pleased to see his merit appreciated.'