Zoila Ugarte de Landívar, also known by her pseudonym Zarelia, (June 27, 1864 – November 16, 1969) was an Ecuadorian writer, journalist, librarian, suffragist, and feminist. She was the first female journalist in Ecuador. Together with Hipatia Cárdenas de Bustamante, she was a key defender of women's suffrage in Ecuador.
As an early figure in the realm of female Ecuadorian journalists, her career began in the late 1880s. She began to use the journalistic pseudonym Zarella in the weekly publication Tesoro del Hogar. She also became the first female director and editor of the political newspaper La Prensa in 1911.
Early life
Ugarte was born in 1864 in El Guabo, Ecuador, to Juan de Dios Ugarte Benavides and Juana Seas Pérez. She was the fifth of 11 siblings.
After the death of her parents, she moved to Guayaquil, where she became a supporter of the liberal cause and began working as a journalist in the late 1880s. She began to use the pseudonym Zarelia in the weekly Tesoro del Hogar, founded by Lastenia Larriva de Llona, which was published between 1887 and 1893.
Career
During Ugarte's early years contributing poems and short prose pieces to Tesoro del Hogar, she befriended various figures in Guayaquil's intellectual movement, such as Dolores Sucre and Numa Pompilio.
La Mujer
Between 1895 and 1912 there was a boom of feminist writing in Ecuador, and Zoila Ugarte was one of the major figures of that movement. In 1905 she founded La Mujer, the country's first women's magazine. The magazine, which cost 40 cents at the time, contained articles about women's rights and their political, social, and workplace accomplishments. It also published stories, essays, and feminist articles written by women.
The first editions of the magazine included contributions from such intellectuals of the period as Mercedes González de Moscoso, Ana María Albornoz, and Lastenia Larriva de Llona. Some of the authors contributed to the first issue anonymously, but beginning with the second issue the magazine's leaders pushed for them to write under their real names, with the goal of promoting writing by women in public spaces. In the first issue of La Mujer, Ugarte wrote:
"Ignorance is not a guarantee of bliss, no matter what they say—we will never be convinced that an educated woman is incapable of domestic virtues; it seems impossible to us that she who is able to comprehend that which is abstract cannot serve any such role, which does not require talent but only a little will. We women, like men, possess a conscious soul, a thinking mind, more or less brilliant."In the second edition of the magazine, Ugarte wrote a historical essay about the Battle of Pichincha. The issue also included poems and stories, as well as an article titled "La broma" ("The Joke") as a response to the negative comments made in response to the publication of La Mujer.
The magazine was shut down on various occasions because of its progressive messages and writing in favor of social and political rights for women.
National Library
From 1911 until 1920, Ugarte worked as the director of the National Library of Ecuador in Quito. Much of her literary and historical work was published in the bulletin of this institution, known as El Boletín, which she founded in 1918. She also carried out a restructuring of library's administrative policies.
During this period, Ugarte oversaw the collection of documents pertaining to the Battle of Huachi, the colonization of Zamora, and the Universidad Santo Tomás de Aquino, now known as the Central University of Ecuador. She also worked to preserve and catalogue documents from the Quito archives and historic documents from the Real Audiencia of Quito, the early Ecuadorian republic, and various presidential correspondences.
Sculpture
Ugarte complemented her passion for literature with another artistic endeavor: sculpture. In 1906, she enrolled in the Quito school of fine arts, which was founded during the presidency of Eloy Alfaro. There, she studied drawing, sculpture, lithography, and art history. Her work was reviewed in the Quito magazines Espejo and Revista de Bellas Artes, the latter of which she also contributed to, writing articles on aesthetics and art. In 1910 she held an exhibition of her work.
Teaching
Ugarte taught at various schools in Quito including the Liceo Fernández Madrid girls' school and the Manuela Cañizares school.
Activism
Liberalism
In the magazines La Mujer, La Prensa, and El Girto del Pueblo, Ugarte expressed her inclination toward liberalism and her criticism of social and political problems of the day.