It was not to be a tour of Europe, as Longfellow and Willis and Taylor had made it, the pilgrimage of a devotee to holy shrines; it was to be a great picnic with sixty-seven in the picnic party. Moreover, the recorder of it was bound by his instructions to report it in the style that had won him California fame. It was to be a Western book, written by a Westerner from the Western standpoint, but this does not imply that his Western readers expected an illiterate production full of coarseness and rude wit. California had produced a school of poets and romancers; she had serious literary journals, and she was proud of them. The letters, if California was to set her stamp of approval upon them, must have literary charm; they must have, moreover, freshness and originality; and they must sparkle with that spirit of humor which already had begun to be recognized as a native product.

We open the book and linger a moment over the preface:

A History of American Literature Since 1870 — Part 45

Notwithstanding it is only the record of a picnic, it has a purpose, which is, to suggest to the reader how _he_ would be likely to see Europe and the East if he looked at them with his own eyes instead of the eyes of those who traveled in those countries before him. I make small pretence of showing any one how he _ought_ to look at objects of interest beyond the sea--other books do that, and therefore, even if I were competent to do it, there is no need.

A History of American Literature Since 1870 — Part 45

I offer no apologies for any departures from the usual style of travel-writing that may be charged against me--for I think I have seen with impartial eyes, and I am sure I have written at least honestly, whether wisely or not.

A History of American Literature Since 1870 — Part 45

Let us read the book straight through. We are impressed with the fact that, despite the supposition of its first readers, it is not primarily a humorous work. It is a genuine book of travels. It is first of all an honest record, even as its author averred. In the second place it is the book of a young man, a young man on a lark and full of the highest spirits. The world is good--it is a good show, though it is full of absurdities and of humbugs that should be exposed. The old stock jokes of the grand tour--the lack of soap, the charge for candles, the meeting of supposed foreigners who break unexpectedly into the best of English, and all the well-known others--were new to the public then and they came with freshness. Then it is the book of one who saw, even as he claimed, with his own eyes. This genuine American, with his training on the river and the wild frontier where men and things are what they _are_, no more and no less, will be impressed only with genuineness. He will describe things precisely as he sees them. Gibraltar "is pushed out into the sea on the end of a flat, narrow strip of land, and is suggestive of a 'gob' of mud on the end of a shingle"; of the Coliseum: "everybody recognizes at once that 'looped and windowed' bandbox with a side bitten out"; and of a famous river: "It is popular to admire the Arno. It is a great historical creek with four feet in the channel and some scows floating around. It would be a very passable river if they would pump some water into it." That was not written for a joke: it was the way the Arno honestly impressed the former Mississippi pilot.