This was no other than poor Jack Butts, who is a sort of small artist and picture-dealer by profession, and was a dayboy at Slaughter House when we were there, and very serviceable in bringing in sausages, pots of pickles, and other articles of merchandise, which we could not otherwise procure. The poor fellow has been employed, seemingly, in the same office of fetcher and carrier ever since; and occupied that post for Mrs. Berry. It was, “Mr. Butts, have you finished that drawing for Lady Pash's album?” and Butts produced it; and, “Did you match the silk for me at Delille's?” and there was the silk, bought, no doubt, with the poor fellow's last five francs; and, “Did you go to the furniture-man in the Rue St. Jacques; and bring the canary-seed, and call about my shawl at that odious dawdling Madame Fichet's; and have you brought the guitar-strings?”
Butts hadn't brought the guitar-strings; and thereupon Mrs. Berry's countenance assumed the same terrible expression which I had formerly remarked in it, and which made me tremble for Berry.
“My dear Angelica,” though said he with some spirit, “Jack Butts isn't a baggage-waggon, nor a Jack-of-all-trades; you make him paint pictures for your women's albums, and look after your upholsterer, and your canary-bird, and your milliners, and turn rusty because he forgets your last message.”
“I did not turn RUSTY, Frank, as you call it elegantly. I'm very much obliged to Mr. Butts for performing my commissions--very much obliged. And as for not paying for the pictures to which you so kindly allude, Frank, _I_ should never have thought of offering payment for so paltry a service; but I'm sure I shall be happy to pay if Mr. Butts will send me in his bill.”
“By Jove, Angelica, this is too much!” bounced out Berry; but the little matrimonial squabble was abruptly ended, by Berry's French man flinging open the door and announcing MILADI PASH and Doctor Dobus, which two personages made their appearance.
The person of old Pash has been already parenthetically described. But quite different from her dismal niece in temperament, she is as jolly an old widow as ever wore weeds. She was attached somehow to the Court, and has a multiplicity of stories about the princesses and the old King, to which Mrs. Berry never fails to call your attention in her grave, important way. Lady Pash has ridden many a time to the Windsor hounds; she made her husband become a member of the Four-in-hand Club, and has numberless stories about Sir Godfrey Webster, Sir John Lade, and the old heroes of those times. She has lent a rouleau to Dick Sheridan, and remembers Lord Byron when he was a sulky slim young lad. She says Charles Fox was the pleasantest fellow she ever met with, and has not the slightest objection to inform you that one of the princes was very much in love with her. Yet somehow she is only fifty-two years old, and I have never been able to understand her calculation. One day or other before her eye went out, and before those pearly teeth of hers were stuck to her gums by gold, she must have been a pretty-looking body enough. Yet, in spite of the latter inconvenience, she eats and drinks too much every day, and tosses off a glass of maraschino with a trembling pudgy hand, every finger of which twinkles with a dozen, at least, of old rings. She has a story about every one of those rings, and a stupid one too. But there is always something pleasant, I think, in stupid family stories: they are good-hearted people who tell them.