Not far from the terrible Hercules, was a group of an ass and its driver, which Augustus placed in his colony of Nicopolis, to perpetuate the remembrance of a singular circumstance that had foretold the victory of Actium to him. Near this were the hyena or she-wolf that suckled Romulus and Remus, a monument from the old nations of the West;[141] the sphinx, with the face of a woman, dragging frightful animals behind her; the crocodile, an inhabitant of the Nile, with his tail covered with horrible scales; a man fighting with a lion; an elephant with his supple trunk; and the antique Scylla, showing before, the features of a woman, with large breasts and a deformed figure; and behind, such monsters as those that pursued Ulysses and his companions. In the same place was an eagle clutching a serpent in his talons, and bearing it away towards the azure vault; the bronze beautifully exhibited the pain of the reptile, and the haughty fierceness of the bird of Jupiter. When the sun shone on the horizon, the extended wings of the king of the air denoted, by lines skilfully traced, the twelve hours of the day.
All who, in that gross age, preserved any taste for the arts, admired the figure of a young woman, her hair plaited on her brow, and gathered into a knot behind, placed upon a column of the Circus; this young woman, as if by enchantment, bore in her right hand a horseman, whose horse she held by one foot; the horseman covered with his cuirass, and the spirited, neighing steed, seemed listening to the warlike trumpet, and to breathe nothing but eagerness for the fight. Near the eastern boundary of the Circus were represented in bronze, the charioteers who had gained prizes, and whose triumphs, in times gone by, had often divided the empire into two factions; they appeared standing in their chariots, running in the lists, pulling and loosening by turns the reins of their coursers, and encouraging them by gesture and voice. Not far from this, upon a basis of stone, were several Egyptian animals, the aspic, the basilisk, and the crocodile, all engaged in mortal combat,—an image of the war made by the wicked on each other; the hideous forms of these animals, the rage and pain expressed throughout their bodies, the livid poison which seemed to exhale with their bites, altogether inspired a feeling of disgust and terror. Another masterpiece, made to charm the sight, ought, at least, to have touched and disarmed the conquerors. Among the statues described by Nicetas, none is more conspicuous than a Helen with her charming smile and her voluptuous attitude; a Helen, with perfect regularity of features, her hair floating at the pleasure of the winds, her eyes full of languor, her lips, which even in the bronze were rosy; her arms, of which even the same bronze showed the whiteness; Helen, in short, with all her beauty, and such as she appeared before the old men of Ilium, who were ravished at her presence.