"Gayly bedight, A gallant knight, In sunshine and in shadow, Had journeyed long, Singing a song, In search of Eldorado.
"But he grew old, This knight so bold, And o'er his heart a shadow Fell as he found No spot of ground That looked like Eldorado.
"And as his strength Failed him at length, He met a pilgrim shadow: 'Shadow,' said he, 'Where can it be-- This land of Eldorado?'
"'Over the Mountains Of the Moon, Down the Valley of the Shadow, Ride, boldly ride,' The shade replied, 'If you seek for Eldorado!'"
Steele, in a paper of The Spectator, dilates in this vein. "I am," he says, "one of that species of men who are properly denominated castle-builders, who scorn to be beholden to the earth for a foundation, or dig in the bowels of it for materials; but erect their structures in the most unstable of elements, the air; fancy alone laying the line, marking the extent, and shaping the model. It would be difficult to enumerate what august palaces and stately porticoes have grown under my forming imagination, or what verdant meadows and shady groves have started into being by the powerful feat of a warm fancy. A castle-builder is ever just what he pleases, and as such I have grasped imaginary sceptres, and delivered uncontrollable edicts, from a throne to which conquered nations yielded obeisance. There is no art or profession, whose most celebrated masters I have not eclipsed. Wherever I have afforded my salutary presence, fevers have ceased to burn and agues to shake the human fabric. When an eloquent fit has been upon me, an apt gesture and proper cadence has animated each sentence, and gazing crowds have found their passions worked up into a rage, or soothed into a calm. I am short, and not very well made; yet upon sight of a fine woman, I have stretched into proper stature, and killed with a good air and mien. These are the gay phantoms that dance before my waking eyes, and compose my day-dreams. I should be the most contented happy man alive, were the chimerical happiness which springs from the paintings of fancy less fleeting and transitory. But alas! it is with grief of mind I tell you, the least breath of wind has often demolished my magnificent edifices, swept away my groves, and left no more trace of them than if they had never been. My exchequer has sunk and vanished by a rap on my door, the salutation of a friend has cost me a whole continent, and in the same moment I have been pulled by the sleeve, my crown has fallen from my head. The ill consequence of these reveries is inconceivably great, seeing the loss of imaginary possessions makes impressions of real woe. Besides, bad economy is visible and apparent in builders of invisible mansions. My tenants' advertisements of ruins and dilapidations often cast a damp on my spirits, even in the instant when the sun, in all his splendor, gilds my Eastern palaces."