Rubens returned to Flanders in 1627, and had no sooner rendered an account of his mission to the Infanta, than he was sent by that princess to England in order to sound the Government on the subject of a peace with Spain, the chief obstacle to which had been removed by the death of the Duke of Buckingham. It is probable that Rubens’s extraordinary powers as an artist formed one motive for employing him in those diplomatic functions. The monarchs to whose courts he was sent were passionate admirers of art; and the frequent visits which they made to Rubens in his painting room, and the confidence with which they honoured him, gave him opportunities, perhaps, in his double capacity, of obviating political difficulties, which might not otherwise have been so easily overcome. This was certainly the case in his negotiations with Charles I. He was not, it appears, formally presented in the character of an envoy. But the monarch received him with all the consideration due to his distinguished character; and it was while he was engaged on the paintings at Whitehall, the progress of which the King delighted to inspect, that he disclosed the object of his visit, and produced his credentials. This he did with infinite delicacy and address; and the King was by no means indisposed to listen to his proposals. A council was appointed to negotiate with him on the subject of a pacification, which was soon after concluded. It was on this occasion that Rubens painted and presented to the King the picture of Peace and War, which is now in our National Gallery. The relation of that work to the object of his mission is obvious: the blessings of peace in contradistinction to the miseries of war are beautifully illustrated; and whether Rubens paid this compliment to the King while his negotiations were in progress, or after they were terminated, a more elegant and appropriate gift was never addressed by a minister to a monarch. The painter was splendidly remunerated, and honoured with knighthood by Charles in 1630. The object of his mission being happily accomplished, he returned to the Netherlands, where he was received with the distinction due to his splendid genius and successful services.
Demographics Digest
The Gallery of Portraits, with Memoirs. Vol 2 (of 7) — Part 82
Tags