And it is not to verse that this temporary check of ardor applies. It is often said that prose fiction now occupies the place held by the drama during the Elizabethan age. Certainly this modern product shows something of the brilliant profusion of that wondrous flowering of genius; but here the resemblance ends. Where in our imaginative literature does one find the concentrated utterance, the intense and breathing life, the triumphs and despairs, the depth of emotion, the tragedy, the thrill, that meet one everywhere in those Elizabethan pages? What impetuous and commanding men are these, what passionate women; how they love and hate, struggle and endure; how they play with the world; what a trail of fire they leave behind them as they pass by! Turn now to recent fiction. Dickens's people are amusing and lovable, no doubt; Thackeray's are wicked and witty; but how under-sized they look, and how they loiter on the mere surfaces of life, compared, I will not say with Shakespeare's, but even with Chapman's and Webster's men. Set aside Hawthorne in America, with perhaps Charlotte Brontë and George Eliot in England, and there would scarcely be a fact in prose literature to show that we modern Anglo-Saxons regard a profound human emotion as a thing worth the painting. Who now dares delineate a lover, except with good-natured pitying sarcasm, as in _David Copperfield_ or _Pendennis_? In the Elizabethan period, with all its unspeakable coarseness, hot blood still ran in the veins of literature; lovers burned and suffered and were men. And what was true of love was true of all the passions of the human soul.
In this respect, as in many others, France has preserved more of the artistic tradition. The common criticism, however, is, that in modern French literature, as in the Elizabethan, the play of feeling is too naked and obvious, and that the Puritan self-restraint is worth more than all that dissolute wealth. I believe it; and here comes in the intellectual worth of America. Puritanism was a phase, a discipline, a hygiene; but we cannot remain always Puritans. The world needed that moral bracing, even for its art; but after all, life is not impoverished by being ennobled; and in a happier age, with a larger faith, we may again enrich ourselves with poetry and passion, while wearing that heroic girdle still around us. Then the next blossoming of the world's imagination need not bear within itself, like all the others, the seeds of an epoch of decay.