What could induce you, my dear Eusebius, to commit yourself into the hands of a portrait-painter? And so, you ask me to go with you. Are you afraid, that you want me to keep you in countenance, where I shall be sure to put you out? You ask too petitioningly, as if you suspected I should refuse to attend your _execution_; for you are going to be _be-headed_, and soon will it be circulated through your village, that you have had your _head taken off_: I will not go with you--it would spoil all. You are afraid to trust the painter. You think he may be a physiognomist, and will hit some characteristic which you would quietly let slip his notice; and you flatter yourself that I might help to mislead him. Are you afraid of being made too amiable, or too plain? No, no! You are not vain. Whence comes this vagary?--well, we shall all know in good time. Were I to be with you, I should talk--perhaps maliciously--on purpose to see how your features would unsettle and shift themselves to the vagrant humour, that though one would know another from habit, and their old acquaintanceship, the painter would never be able to keep them steadily together. I should laugh to see every lineament "going ahead," and art "non compos."