The first publication of any portion of this Codex was by Alexander von Humboldt, who had five pages of it copied for his work, _Vues des Cordillères et Monumens des Peuples Indigenes de l’Amérique_, issued at Paris in 1813 (not 1810, as the title-page has it). It was next very carefully copied in full by the Italian artist, Agostino Aglio, for the third volume of Lord Kingsborough’s great work on _Mexican Antiquities_, the first volume of which appeared in 1831.
From Kingsborough’s work a few pages of the Codex have been from time to time republished in other books, which call for no special mention; and two pages were copied from the original in Wuttke’s _Geschichte der Schrift_, Leipzig, 1872.
Finally, in 1880, the whole was very admirably chromo-photographed by A. Naumaun’s establishment at Leipzig, to the number of fifty copies, forty of which were placed on sale. It is the first work which was ever published in chromo-photography, and has, therefore, a high scientific as well as antiquarian interest.
The editor was Dr. E. Förstemann, aulic counselor and librarian-in-chief of the Royal Library. He wrote an introduction (17 pp. 4to.) giving a history of the manuscript, and bibliographical and other notes upon it of much value. One opinion he defends must not be passed by in silence. It is that the Dresden Codex is not one, but parts of two original manuscripts written by different hands.
It appears that it has always been in two unequal fragments, which all previous writers have attributed to an accidental injury to the original. Dr. Förstemann gives a number of reasons for believing that this is not the correct explanation, but that we have here portions of two different books, having general similarity but also many points of diversity.
This separation led to an erroneous (or perhaps erroneous) sequence of the pages in Kingsborough’s edition. The artist Aglio took first one fragment and copied both sides, and then proceeded to the next one; and it is not certain that in either case he begins with the first page in the original order of the book.
_The Codex Peresianus_, or _Codex Mexicanus, No. II_, of the _Bibliothèque Nationale_ of Paris.—This fragment—for it is unfortunately nothing more—was discovered in 1859 by Prof. Leon de Rosny among a mass of old papers in the National Library. It consists of eleven leaves, twenty-two pages, each 9 inches long and 5¼ inches wide. The writing is very much defaced, but was evidently of a highly artistic character, probably the most so of any manuscript known. It unquestionably belongs to the Maya manuscripts.