In his palm beach suit and Panama hat, Visconti made a splendent and impressive figure in the purlieus of Bleecker Street.

"Ah-h, Signor Byrd," he cried with Latin cordiality, seizing my hand in both his own, "you are what you call a sight for sick eyes. I have often wonder about you—you must come into my banca—we must have leetla refreshment!"

The Man Who Lived in a Shoe — Part 77

Refreshment appealed to me at the moment and gladly I accompanied him to his private office in the bank, that stands between a junk warehouse and a delicatessen emporium. With a charming tact he touched upon the hard luck of Salmon and Byrd and dismissed the subject for good.

The Man Who Lived in a Shoe — Part 77

Briefly—for him—that is, with a wealth of gesture and illustration, he informed me that he was looking for a man for his enlarging bank, and asked me to recommend one.

The Man Who Lived in a Shoe — Part 77

"I want a fina man—" he explained. "American gentleman—who speeks a leetla da Italian—who put up what you call a fina fronta—understand me?"

"A fine front," I mused aloud, "and speaks Italian—no, Signor Visconti, we had no such young man in our office. I can think of no one I could recommend."

"I thinka," he said, with, a gesture of final resolution, "if I could finda some gentleman lika you, Mr. Byrd, he would be _precisamente_ what I look for. I know," he added hastily with an apologetic laugh, "man lika you, Signor, be hard to find!" And again he laughed heartily, though watching me between narrowed eyelids. His drift was now obvious. I was silent for a moment.

"Well, if it comes to that, Signor Visconti," I answered slowly, "I am doing nothing in particular just now. I may be utterly no good for you, but—but if—"

"Ah, you would try old Visconti, Signor!" And up flew his arms like windmills. "You no ashamed to work in vot you Americans call da Guinea colony!—no, no!" He noted the deprecating shadow on my face. "Ah, you understanda—you know the granda history of the Italiana people. You—but, Mr. Byrd—" and with an admirable histrionic transition he suddenly turned grave and sad—"Mr. Byrd, you are the very man I looka for," and he gripped both my hands. "But, Meester Byrd—I fear I cannot afford to pay what you would expect. Ah, _sacra_—if I could! You, the very man—_Dio_—" and he clapped a hand dramatically to his forehead—"the very man, but!—" and his full smile of sad and wistful regret seemed genuine for all its histrionic value.