Resentment) explained i. 98. &_c._ disagreeable in excess i. 134. extended against relations of the offender i. 190. its gratification i. 231. when immoderate is silent ii. 205.
Rest) neither agreeable nor disagreeable i. 309.
Revenge) animates but doth not elevate the mind i. 283. has no dignity in it ii. 33.
Reverie) cause of the pleasure we have in it i. 112.
Rhyme) for what subjects it is proper ii. 447. &_c._ Melody of rhyme ii. 449.
Riches) love of, corrupts the taste iii. 370.
Ridicule) a gross pleasure i. 138. is losing ground in England i. 138. Emotion of ridicule i. 341. not concordant with grandeur i. 377, Ridicule ii. 16. 40. &_c._ whether it be a test of truth ii. 55.
Ridiculous) distinguished from risible i. 341.
Risible objects, ch. 7. i. 337. Risible distinguished from ridiculous i. 341.
Ruin) ought not to be seen from a flower-parterre iii. 303. in what form it ought to be iii. 313.
Sallust) censured for want of connection i. 37.
Sapphic verse) has a very agreeable modulation ii. 358.
Sculpture) imitates nature ii. 234. what emotions can be raised by it iii. 296.
Seeing) in seeing we feel no impression iii. 380. Objects of sight are all of them complex iii. 400.
Selfish passions i. 59. are pleasant i. 131. less refined than the social i. 137. inferior in dignity to the social ii. 37.
Selfishness) promoted by luxury iii. 370. and also by love of riches iii. 370.
Self-love) its prevalence accounted for i. 63. in excess disagreeable i. 134. not inconsistent with benevolence i. 228.
Semipause) in an hexameter line ii. 369. what semipauses are found in an English heroic line ii. 390.
Sense) of order i. 28. &_c._ contributes to generate emotions i. 81. and passions i. 89. Sense of right and wrong i. 49. of the veracity of our senses i. 105. Sense of congruity or propriety ii. 6. of the dignity of human nature ii. 29. iii. 361. Sense by which we discover a passion from its external signs ii. 136. Sense of a common nature in every species of beings iii. 356. Sense internal and external iii. 375. In touching, tasting, and smelling, we feel the impression at the organ of sense, not in seeing and hearing iii. 380.
Sentence) it detracts from neatness to vary the scene in the same sentence ii. 278. A sentence so arranged as to express the sense clearly, seems always more musical than where the sense is left in any degree doubtful ii. 307.