[Illustration: Dancers at Feast of Lanterns.]

Geisha, dramatic reciters, jugglers, and itinerant musicians never reach such solitary heights. But, happily for us, the _Bon-Odori_, those antique dances, which should have been danced on All Souls’ Day by the modernised Ikao folk, began in this neighbourhood two nights after our arrival. The landlord requested a contribution of forty _sen_ (about fourpence), which we readily doubled, for the benefit of the performers. Then ensued a long wait, for, if Japanese city-people are dilatory, no adjective exists which could do justice to the country-people’s contempt for celerity. Always accurate, Murray very properly translates _tadaima_ (immediately) by “anytime between now and Christmas.” First one lantern entered the courtyard; after half-an-hour, another; one by one the young men and maidens assembled; forty minutes more elapsed before the musicians could be induced to appear: at last a flute-player and a drummer squatted on a mat in the centre, while the dancers circled slowly about them. Youths and girls wore a blue kerchief tied round the temples: they revolved, as in a game of “Follow my leader,” without ever touching hands; two steps forward, a half-turn, two steps back, and at irregular intervals a clapping of hands. Such was the simple measure. But the waving of arms and the graceful free gestures of these rustic _coryphées_ were only less effective than the strange chanting, which rose or sank in volume as the number of participants increased or fell away. And what do you suppose they sang? Something in the following vein, one might imagine:

Japanese Plays and Playfellows — Part 87

“While we loudly dance and sing, Spirits of our dead return, Guided, where the lanterns burn; In the houses they will find Rice and water left behind; Then sail in boats of straw away, Until next _Bon-Odori_ day. Peasants, come and join the ring!”

Japanese Plays and Playfellows — Part 87

Lines like these might emanate from an Arcadian singer of Fleet Street, but the daughters of Akakura must have lost all sense of the solemn festival they were affecting to celebrate. What they sang was this:

Japanese Plays and Playfellows — Part 87

“My lad is handsome, My lad is comely; He has no money; Sad is my heart.”

“Only to meet thee Troubled my heart is; When the dance ends, I Ask to be thine.”