Benri is, for an Aino, intelligent. Two years ago Mr. Dening of Hakodaté came up here and told him that there was but one God who made us all, to which the shrewd old man replied, “If the God who made you made us, how is it that you are so different—you so rich, we so poor?” On asking him about the magnificent pieces of lacquer and inlaying which adorn his curio shelf, he said that they were his father’s, grandfather’s, and great-grandfather’s at least, and he thinks they were gifts from the _daimiyô_ of Matsumae soon after the conquest of Yezo. He is a grand-looking man, in spite of the havoc wrought by his intemperate habits. There is plenty of room in the house, and this morning, when I asked him to show me the use of the spear, he looked a truly magnificent savage, stepping well back with the spear in rest, and then springing forward for the attack, his arms and legs turning into iron, the big muscles standing out in knots, his frame quivering with excitement, the thick hair falling back in masses from his brow, and the fire of the chase in his eye. I trembled for my boy, who was the object of the imaginary onslaught, the passion of sport was so admirably acted.

As I write, seven of the older men are sitting by the fire. Their grey beards fall to their waists in rippled masses, and the slight baldness of age not only gives them a singularly venerable appearance, but enhances the beauty of their lofty brows. I took a rough sketch of one of the handsomest, and, showing it to him, asked if he would have it, but instead of being amused or pleased he showed symptoms of fear, and asked me to burn it, saying it would bring him bad luck and he should die. However, Ito pacified him, and he accepted it, after a Chinese character, which is understood to mean good luck, had been written upon it; but all the others begged me not to “make pictures” of them, except Pipichari, who lies at my feet like a staghound.

Unbeaten Tracks in Japan — Part 190

The profusion of black hair, and a curious intensity about their eyes, coupled with the hairy limbs and singularly vigorous physique, give them a formidably savage appearance; but the smile, full of “sweetness and light,” in which both eyes and mouth bear part, and the low, musical voice, softer and sweeter than anything I have previously heard, make me at times forget that they are savages at all. The venerable look of these old men harmonises with the singular dignity and courtesy of their manners, but as I look at the grand heads, and reflect that the Ainos have never shown any capacity, and are merely adult children, they seem to suggest water on the brain rather than intellect. I am more and more convinced that the expression of their faces is European. It is truthful, straightforward, manly, but both it and the tone of voice are strongly tinged with pathos.

Unbeaten Tracks in Japan — Part 190