In a letter to his son-in-law, the Rev. Charles Mason, who was at that time in company with his own son on a visit to England, he writes on June 28th, 1840:
"I intended to defer writing until to-morrow morning; but the beauty of the western scenery and sunset is so striking, that I am strongly impelled to tell you that, much as you see, and highly as you enjoy the scenes of old England, there is nothing there more beautiful and sublime than this very scene from my chamber windows. It seems as though nature never was so beautifully dressed at this time of the year as at present. The season has been unusually favorable for the foliage, fruits, and flowers; and all around bears evidence of that goodness that never rests, and in my own person I feel that I am enjoying in a month what ought to content me for a year."
The foregoing extract is selected from among many others of a similar nature, as an illustration of Mr. Lawrence's appreciation of the beauties of natural scenery.
Towards the close of the day, his favorite seat was at a window, from which he could witness the glories of the setting sun, and, still later, the fading beauties of the twilight. Nature to him was no sealed volume; and with her, in all her phases, he loved to commune.
The gorgeous hues of the western sky, the changing tints of the autumnal foliage, and the smiling features of the landscape, were in his mind typical of the more resplendent beauties of the future world. He writes:
"To-day is one of those holy spring days which make us feel that, with right principles and conduct, we may enjoy a foretaste of that beautiful home we all long for. I have been over the Roxbury and Dorchester hills, which are a transcript of the beautiful scenery around Jerusalem. Mount Zion seemed before me, and by stretching my arms, I could almost fly upon its sides."
He loved to think that the spirits of the departed may be permitted to hover around, and minister to those whom they have once loved on earth; and sometimes, as he viewed nature in her softer moods, he would imagine himself as holding communion with former cherished objects of affection. He writes to a friend:
"Dear S. and R. speak in words without sounds, through every breeze and in every flower, and in the fragrance of every perfume from the field or the trees."