Sorry We Missed You is a 2019 drama film written by Paul Laverty and directed by Ken Loach.
Principal photography began in Newcastle upon Tyne and the surrounding areas in September 2018. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. Despite having a broken arm in a sling, the 82-year-old Loach appeared at Cannes to promote the film and announce that it would be his final film to compete at the festival. At the 10th Magritte Awards, Sorry We Missed You received the Magritte Award for Best Foreign Film in Coproduction. At the 13th Gaudí Awards, it won the Gaudí Award for Best European Film.
Plot
Ricky Turner and his family have been fighting an uphill struggle against debt since the 2008 financial crash.
With no education or professional training, Ricky is given an opportunity when he is hired to run a franchise as a self-employed delivery driver under the supervision of Maloney, a tough, no-nonsense employer. In order to afford a van for the job, Ricky convinces his wife Abby to sell the family car, even though she uses it in her work as a home care nurse.
The stress of the new job proves to be too great for Ricky. He is always under pressure to make his deliveries in time and is fined if he is late or makes mistakes. Abby also finds her work much more demanding without a car and frequently feels upset by the lack of time she is allowed to spend with her patients due to her demanding schedule.
During this period, Ricky's rebellious son Seb skips school and often gets into trouble with his use of graffiti. Following a fight with his parents, Seb angrily tags over the family portraits during the night. When Ricky can't find the keys to his van the next morning, he blames Seb. Though Seb denies any wrongdoing, Ricky hits him at the end of a heated argument. Liza Jane, Seb's younger sister, later tearfully admits that she hid the keys as she blames Ricky's job for the family's problems.
Back at work, Ricky is robbed and brutally assaulted while making deliveries. While Ricky is in the waiting room at hospital, a furious Maloney phones him and explains that he is facing fines of over £1,000 as his barcode scanner was destroyed in the assault. While Seb finally warms up and re-joins the family, a desperate and grievously injured Ricky drives off to work in tears as his family begs him to not leave.
Cast
Kris Hitchen as Ricky Turner
Debbie Honeywood as Abby Turner
Rhys Stone as Seb Turner
Katie Proctor as Liza Jane Turner
Ross Brewster as Maloney
Charlie Richmond as Henry
Julian Ions as Freddie
Sheila Dunkerley as Rosie
Maxie Peters as Robert
Christopher John Slater as Ben
Heather Wood as Mollie
Alberto Dumba as Harpoon
Natalia Stonebanks as Roz
Jordan Collard as Dodge
Dave Turner as Magpie
Stephen Clegg as Policeman
Darren Jones as Council worker
Nikki Marshall as Traffic warden
Linda E Greenwood as Driver
Linda Wright as A&E receptionist
Mary Shearer as Woman at Door
Reception
The film grossed £6.3 million.
On Rotten Tomatoes, the film holds an approval rating of based on reviews, with an average rating of . The site's critical consensus reads "Sorry We Missed You may strike some as tending toward the righteously didactic, but director Ken Loach's passionate approach remains effective." Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 26 critics, indicating "universal acclaim".
David Rooney in The Hollywood Reporter wrote that the film "is an expertly judged and profoundly humane movie, made without frills or fuss but startlingly direct in its emotional depiction of the tough stuff that is the fiber of so many ordinary lives."
Peter Bradshaw in The Guardian believed it was superior to Loach's previous film I, Daniel Blake (2016), which won the Palme d'Or at Cannes. Bradshaw wrote: "it is more dramatically varied and digested, with more light and shade in its narrative progress and more for the cast to do collectively. I was hit in the solar plexus by this movie, wiped out by the simple honesty and integrity of the performances." The review in The Times praised the performance of newcomer Debbie Honeywood as Abby, who was cast after a talent search of non-professionals. Contributor Kevin Maher believed the film should have concentrated on her character instead of Ricky, Abby's husband.