A circle painted green and inclosed in a border of yellow is undoubtedly of Apache origin. There is at one point a row of small pits, arranged in line, suggesting a score or enumeration of some kind, and a series of short parallel lines of similar import was found not far away. This latter method of recording accounts is commonly used at the present time in Tusayan, both in houses and on cliffs; and one of the best of these, said to enumerate the number of Apache killed by the Hopi in a raid many years ago, may be seen above the trail by which the visitor enters the pueblo of Hano on the East Mesa. The names of several persons scratched on the face of the cliff indicate that Americans had visited Honanki before me.
The majority of the paleoglyphs at both Palatki and Honanki are of Apache origin, and are of comparatively modern date, as would naturally be expected. In some instances their colors are as fresh as if made a few years ago, and there is no doubt that they were drawn after the building was deserted by its original occupants. The positions of the pictographs on the cliffs imply that they were drawn before the roofs and flooring had been destroyed, thus showing how lately the ruin preserved its ancient form. In their sheltered position there seems to be no reason why the ancient pictographs should not have been preserved, and the fact that so few of the figures pecked in the cliff now remain is therefore instructive.
One of the first tendencies of man in visiting a ruin is to inscribe his name on its walls or on neighboring cliffs. This is shared by both Indians and whites, and the former generally makes his totem on the rock surface, or adds that of his gods, the sun, rain-cloud, or katcinas. Inscriptions recording events are less common, as they are more difficult to indicate with exactitude in this system of pictography. The majority of ancient pictographs in the Red-rock country, like those I have considered in other parts of Verde valley, are identical with picture writings now made in Tusayan, and are recognized and interpreted without hesitation by the Hopi Indians. In their legends, in which the migrations of their ancestors are recounted, the traditionists often mention the fact that their ancestors left their totem signatures at certain points in their wanderings. The Patki people say that you will find on the rocks of Palatkwabi, the "Red Land of the South" from which they came, totems of the rain-cloud, sun, crane, parrot, etc. If we find these markings in the direction which they are thus definitely declared to exist, and the Hopi say similar pictures were made by their ancestors, there seems no reason to question such circumstantial evidence that some of the Hopi clans once came from this region.[28]
