From the junction of Sephiroth Nos. 2 and 3 emanated the masculine potency Love or Mercy (4) and the feminine potency Justice (5), and from the junction of the latter two emanated again the uniting potency Beauty (6). Beauty, the sixth Sephirah, constitutes the chest in the archetypal man, and unites Love (4) and Justice (5), which constitute the divine arms, thus yielding the second triad of the Sephiric decade. From this second conjunction emanated again the masculine potency Firmness (7) and the feminine potency Splendour (8), which constitute the divine legs of the archetypal man; and these sent forth Foundation (9), which is the genital organ and medium of union between them, thus yielding the third triad in the Sephiric decade. Kingdom (10), which emanated from the ninth Sephirah, encircles all the other nine, inasmuch as it is the Shechinah, the divine halo, which encompasses the whole by its all-glorious presence.
In their totality and unity the ten Sephiroth are not only denominated the World of Sephiroth, or the World of Emanations, but, owing to the above representation, are called the primordial or archetypal man (= [Greek: prôtogonos]) and the heavenly man. It is this form which, as we are assured, the prophet Ezekiel saw in the mysterious chariot (Ezek. i. 1-28), and of which the earthly man is a faint copy.
As the three triads respectively represent intellectual, moral and physical qualities, the first is called the Intellectual, the second the Moral or Sensuous, and the third the Material World. According to this theory of the archetypal man the three Sephiroth on the right-hand side are masculine and represent the principle of rigour, the three on the left are feminine and represent the principle of mercy, and the four central or uniting Sephiroth represent the principle of mildness. Hence the right is called "the Pillar of Judgment," the left "the Pillar of Mercy," and the centre "the Middle Pillar." The middle Sephiroth are synecdochically used to represent the worlds or triads of which they are the uniting potencies. Hence the Crown, the first Sephirah, which unites Wisdom and Intelligence to constitute the first triad, is by itself denominated the Intellectual World. So Beauty is by itself described as the Sensuous World, and in this capacity is called the Sacred King or simply the King, whilst Kingdom, the tenth Sephirah, which unites all the nine Sephiroth, is used to denote the Material World, and as such is denominated the Queen or the Matron. Thus a trinity of units, viz. the Crown, Beauty and Kingdom, is obtained within the trinity of triads. But further, each Sephirah is as it were a trinity in itself. It (1) has its own absolute character, (2) receives from above, and (3) communicates to what is below. "Just as the Sacred Aged is represented by the number three, so are all the other lights (Sephiroth) of a threefold nature" (_Zohar_, iii. 288). In this all-important doctrine of the Sephiroth, the Kabbalah insists upon the fact that these potencies are not creations of the En Soph, which would be a diminution of strength; that they form among themselves and with the En Soph a strict unity, and simply represent different aspects of the same being, just as the different rays which proceed from the light, and which appear different things to the eye, are only different manifestations of one and the same light; that for this reason they all alike partake of the perfections of the En Soph; and that as emanations from the Infinite, the Sephiroth are infinite and perfect like the En Soph, and yet constitute the first finite things. They are infinite and perfect when the En Soph imparts his fullness to them, and finite and imperfect when that fullness is withdrawn from them.
