The first attraction, of course, was Mary herself, and she was well worth a longer pilgrimage. I shall never forget the picture she made, as she stood in the middle of the floor surrounded by her pals, and welcomed us to her shanty. Her figure, although naturally strong and straight, looked cramped and bent, and had certainly suffered from long exposure and the hardships of truck-riding. Her dress, although picturesque in some particulars, looked just as tattered and worn out as did her poor old body. The original cloth and color of the skirt, if indeed it had ever had any, were disguised by fully a dozen different patches sewed on with coarse, straggling, Gipsy-like stitches. In place of a waist she wore an old coat and vest, given to her, as I afterward learned, by a clergyman. The coat was soldier's blue, and the vest as red as a robin's breast. A strange costume, it is true; but as I looked at her, it seemed, after all, a fitting one for such a unique being. The head that topped the costume was most interesting of all: a certain pose in moments of enthusiasm, and a certain toss at the climax of some story relating her early triumphs, gave it an air of wild nobility such as one sees in high-bred animals; and when, in the consciousness of her weakened powers, it dropped sadly on her breast, with the ragged gray locks streaming out in all directions, one could not escape the sense of fallen greatness in the gaunt bowed figure and the tortured face.
Naturally she looked crazy, but I wished at the time that if crazy people must really exist, they might look like her. Her eyes were her most intelligent feature, and even they at times would become glazed and almost uncanny. They were the most motherly, and also the wickedest, I have ever seen on the road. This sounds paradoxical, I know, but as I have heard other men describe them in the same way, I think I must be right. And when she looked at me I felt that she was piercing my character and history in every possible corner. I have no doubt that she intended to impress me in this way. It is a Gipsy trick, and she evidently had not forgotten it.
[Illustration: OLD BOSTON MARY'S SHANTY.]
But queer and crazy as Old Mary appeared, she was nevertheless quite in harmony with her environment; for of all the odd hang-outs I have visited, hers was certainly the oddest. The shanty itself was in many respects just as the cows had left it, and the only furniture it contained was a stove, a few old benches, a greasy lamp, a supply of blankets, and a cupboard containing one or two frying-pans and some polished and renovated tomato-cans. These were all that the old Gipsy had been able to gather together, and it had cost her many days of fortune-telling to collect even these. But, fortunately, it was not for such things that the beggars visited her. What they wanted was simply a place where they could be away from the police, and in the company of Old Mary, whom they looked upon as a sort of guardian angel. On the night in question she had as guests men who represented nearly every kind of vagabondage. The "blanket-stiff," the "gay-cat," the "shiny," the "Frenchy," and the "ex-prushun" were all there. Some were lying on the floor wrapped in their blankets; some were mending their coats and darning their socks; while others were sitting around the stove playing a quiet game of poker, using as an "ante" pieces of bread which they had begged. In a corner there were still others who were taking off their "jiggers," reminding one of that famous _cour des miracles_ which Victor Hugo has described in "Notre Dame"; for the jiggers were nothing but bandages wound around the legs and arms to excite the sympathy of credulous and charitable people.