The colour of the fumes which the ore emits after being placed on a hot shovel or an iron plate, indicates what flux is needed in addition to the lead, for the purpose of either assaying or smelting. If the fumes have a purple tint, it is best of all, and the ore does not generally require any flux whatever. If the fumes are blue, there should be added cakes melted out of pyrites or other cupriferous rock; if yellow, litharge and sulphur should be added; if red, glass-galls[17] and salt; if green, then cakes melted from cupriferous stones, litharge, and glass-galls; if the fumes are black, melted salt or iron slag, litharge and white lime rock. If they are white, sulphur and iron which is eaten with rust; if they are white with green patches, iron slag and sand obtained from stones which easily melt; if the middle part of the fumes are yellow and thick, but the outer parts green, the same sand and iron slag. The colour of the fumes not only gives us information as to the proper remedies which should be applied to each ore, but also more or less indication as to the solidified juices which are mixed with it, and which give forth such fumes. Generally, blue fumes signify that the ore contains azure yellow, orpiment; red, realgar; green, chrysocolla; black, black bitumen; white, tin[18]; white with green patches, the same mixed with chrysocolla; the middle part yellow and other parts green show that it contains sulphur. Earth, however, and other things dug up which contain metals, sometimes emit similarly coloured fumes.

If the ore contains any _stibium_, then iron slag is added to it; if pyrites, then are added cakes melted from a cupriferous stone and sand made from stones which easily melt. If the ore contains iron, then pyrites and sulphur are added; for just as iron slag is the flux for an ore mixed with sulphur, so on the contrary, to a gold or silver ore containing iron, from which they are not easily separated, is added sulphur and sand made from stones which easily melt.

De Re Metallica — Part 210

_Sal artificiosus_[19] suitable for use in assaying ore is made in many ways. By the first method, equal portions of argol, lees of vinegar, and urine, are all boiled down together till turned into salt. The second method is from equal portions of the ashes which wool-dyers use, of lime, of argol purified, and of melted salt; one _libra_ of each of these ingredients is thrown into twenty _librae_ of urine; then all are boiled down to one-third and strained, and afterward there is added to what remains one _libra_ and four _unciae_ of unmelted salt, eight pounds of lye being at the same time poured into the pots, with litharge smeared around on the inside, and the whole is boiled till the salt becomes thoroughly dry. The third method follows. Unmelted salt, and iron which is eaten with rust, are put into a vessel, and after urine has been poured in, it is covered with a lid and put in a warm place for thirty days; then the iron is washed in the urine and taken out, and the residue is boiled until it is turned into salt. In the fourth method by which _sal artificiosus_ is prepared, the lye made from equal portions of lime and the ashes which wool-dyers use, together with equal portions of salt, soap, white argol, and saltpetre, are boiled until in the end the mixture evaporates and becomes salt. This salt is mixed with the concentrates from washing, to melt them.

De Re Metallica — Part 210