This was essential beauty revealed to her ears and eyes, but gradually the words formed themselves into sentences and were carried to her brain. She understood that Charles was talking of himself, of her, with an eloquence born of long-considered thoughts. He was telling her how she appeared to him as a being of light and sweetness and necessity; he was telling her how he loved her; he was asking for nothing, but he was saying amazing things in language worthy of his thoughts of her.
That muffled ticking of her heart went on like distant drum beats, the symphony of tiny instruments did not pause, the dominant sound of Charles’s voice continued, and now, as she listened, she heard nothing but his voice. He was not pathetic, he did not plead, he did not claim: he spoke of very old and lasting things, and it was like hearing some one read a tale. She did not stir. She forgot that this was Charles; it was a simple heart become articulate. And then suddenly the voice stopped and the orchestra, as though in relief, in triumph, seemed to play more loudly. A water rat dived again, a duck quacked sleepily and a branch of a tree creaked mournfully under a lost puff of wind.
Henrietta turned her head and saw Charles Batty standing motionless against the tree. His hat was tilted a little to one side and his eyes were staring straight before him. Even the darkness was not entirely kind to him, but that did not matter. She wondered if he knew what he had been saying; she could not remember it all, but it would come back. As they went home over the dark fields, she would remember it. It seemed to have everything and yet nothing to do with her; it was like poetry that, without embarrassment, profoundly moves the hearer, and his very voice had developed the dignity of his theme.
He did not speak again. In complete silence they retraced their steps and at the gate of Nelson Lodge he left her. In the little high-walled garden she stood still. This had been a wonderful experience. She felt uplifted, better than herself, yet she could not resist speculating on her probable feelings if another than Charles Batty, if, for instance, Francis Sales, had poured that rhapsody into the night.
Early one October afternoon, Rose Mallett rode to Sales Hall. She went through a world of brown and gold and blue, but she was hardly conscious of beauty, and the air, which was soft, yet keen, and exciting to her horse, had no inspiriting effect on her. She felt old, incased in a sort of mental weariness which was like armour against emotion. She knew that the spirit of the country, at once gentle and wild, furtive and bold, was trying to reach her in every scent and sound: in the smell of earth, of fruit, of burning wood; in the noise of her horse’s feet as he cantered on the grassy side of the road, in the fall of a leaf, the call of a bird or a human voice become significant in distance; but she remained unmoved.