One day she was sitting on a sofa in the drawing-room at the house of the above-mentioned family, engaged in some handiwork. The artist had a visitor who was a very lively, witty, satirical person, and they were standing together near a window, discoursing merrily; they often laughed during their conversation, and the tones of their voices seemed to change, occasionally, as if they were imitating some one, whereupon their hilarity invariably increased, which, however, was far from being as harmless and goodnatured as mirth and gaiety generally were in that house.

When the visit was over, and the artist had accompanied his friend to the door, and returned to the drawing-room, the old lady asked him who had been with him.

The Danes Sketched by Themselves. Vol. I (of 3) — Part 108

He mentioned the name of his lively friend, whom, he said, he thought she knew very well.

The Danes Sketched by Themselves. Vol. I (of 3) — Part 108

'Oh, yes, I know him well enough,' she replied; 'but the other?'

The Danes Sketched by Themselves. Vol. I (of 3) — Part 108

'What other?' asked the painter, starting.

'Why the tall man with the long thin face, who stood yonder; he with the dark, rough, uncombed-looking hair, and the bushy eyebrows--he who so often laid his hand on his breast, and pointed upwards, especially when you and your merry friend laughed heartily.'

'Did you ever see him before?' inquired the artist, turning pale. 'Did you observe how he was dressed, and if he had any peculiar habit?'

'I do not remember having ever seen him before; as to his dress, it was very singular, much like that of an old-fashioned country schoolmaster.' And she described minutely his long frock-coat, with large buttons and side-pockets, and his antiquated boots, that did not appear to have been brushed for a very long time. 'The peculiar habit you speak of,' she added, 'was probably the manner in which he slowly shook his head, when he seemed to differ in opinion from you and your other guest; in my eyes there was something noble and striking in this movement, there was an expression of pain or sadness in his countenance, which interested me; it was particularly observable when he laid his right hand on his breast, and raised his left hand upwards, as if he were solemnly affirming something, or calling God to witness to the truth of what he said. Nevertheless, I remarked with surprise, that I scarcely saw him open his lips. It was of course impossible for me to hear what you were all talking about.'