My kurumaya calls himself 'Cha.' He has a white hat which looks like the top of an enormous mushroom; a short blue wide-sleeved jacket; blue drawers, close-fitting as 'tights,' and reaching to his ankles; and light straw sandals bound upon his bare feet with cords of palmetto-fibre. Doubtless he typifies all the patience, endurance, and insidious coaxing powers of his class. He has already manifested his power to make me give him more than the law allows; and I have been warned against him in vain. For the first sensation of having a human being for a horse, trotting between shafts, unwearyingly bobbing up and down before you for hours, is alone enough to evoke a feeling of compassion. And when this human being, thus trotting between shafts, with all his hopes, memories, sentiments, and comprehensions, happens to have the gentlest smile, and the power to return the least favour by an apparent display of infinite gratitude, this compassion becomes sympathy, and provokes unreasoning impulses to self-sacrifice. I think the sight of the profuse perspiration has also something to do with the feeling, for it makes one think of the cost of heart-beats and muscle-contractions, likewise of chills, congestions, and pleurisy. Cha's clothing is drenched; and he mops his face with a small sky-blue towel, with figures of bamboo-sprays and sparrows in white upon it, which towel he carries wrapped about his wrist as he runs.

That, however, which attracts me in Cha--Cha considered not as a motive power at all, but as a personality--I am rapidly learning to discern in the multitudes of faces turned toward us as we roll through these miniature streets. And perhaps the supremely pleasurable impression of this morning is that produced by the singular gentleness of popular scrutiny. Everybody looks at you curiously; but there is never anything disagreeable, much less hostile in the gaze: most commonly it is accompanied by a smile or half smile. And the ultimate consequence of all these kindly curious looks and smiles is that the stranger finds himself thinking of fairy-land. Hackneyed to the degree of provocation this statement no doubt is: everybody describing the sensations of his first Japanese day talks of the land as fairyland, and of its people as fairy-folk. Yet there is a natural reason for this unanimity in choice of terms to describe what is almost impossible to describe more accurately at the first essay. To find one's self suddenly in a world where everything is upon a smaller and daintier scale than with us--a world of lesser and seemingly kindlier beings, all smiling at you as if to wish you well--a world where all movement is slow and soft, and voices are hushed--a world where land, life, and sky are unlike all that one has known elsewhere--this is surely the realisation, for imaginations nourished with English folklore, of the old dream of a World of Elves.

Glimpses of an Unfamiliar Japan — Part 7