“It is the most unaccountable thing in the world; the mystery remains as impenetrable as ever; I have hunted high and low for him, and inquired of everybody, but in vain; all trace of him ends at that hotel in New York; I never have seen or heard of him since, up to this day; he could hardly have sailed, for his name does not appear upon the books of any shipping office in New York or Boston or Baltimore. How fortunate it seems, now, that we kept this thing to ourselves; Laura still has a father in you, and it is better for her that we drop this subject here forever.” That was all. Random remarks here and there, being pieced together gave Laura a vague impression of a man of fine presence, about forty-three or forty-five years of age, with dark hair and eyes, and a slight limp in his walk--it was not stated which leg was defective. And this indistinct shadow represented her father. She made an exhaustive search for the missing letters, but found none. They had probably been burned; and she doubted not that the ones she had ferreted out would have shared the same fate if Mr. Hawkins had not been a dreamer, void of method, whose mind was perhaps in a state of conflagration over some bright new speculation when he received them.

She sat long, with the letters in her lap, thinking--and unconsciously freezing. She felt like a lost person who has traveled down a long lane in good hope of escape, and, just as the night descends finds his progress barred by a bridge-less river whose further shore, if it has one, is lost in the darkness. If she could only have found these letters a month sooner! That was her thought. But now the dead had carried their secrets with them. A dreary, melancholy settled down upon her. An undefined sense of injury crept into her heart. She grew very miserable.

The Gilded Age, Complete — Part 52

She had just reached the romantic age--the age when there is a sad sweetness, a dismal comfort to a girl to find out that there is a mystery connected with her birth, which no other piece of good luck can afford. She had more than her rightful share of practical good sense, but still she was human; and to be human is to have one's little modicum of romance secreted away in one's composition. One never ceases to make a hero of one's self, (in private,) during life, but only alters the style of his heroism from time to time as the drifting years belittle certain gods of his admiration and raise up others in their stead that seem greater.

The Gilded Age, Complete — Part 52