Rhodes, Statues and Paintings at, ii, 164.
Ribalta Francisco--his Love Romance and his Success, i, 235.
Ribera, Giuseppe, (Spagnoletto,) his Early Enthusiasm, Poverty, and Industry at Rome, ii, 133; his Return to Naples and Marriage, ii, 134; his Rise to Eminence, ii, 135; his Discovery of the Philosopher's Stone, ii, 135; his Favorite Subjects, ii. 136; his Disposition, ii, 137; his Intrigues, ii, 138; Lanzi's Account of his Death, ii, 132.
Riley, John, i, 307; his Diffidence and Merits, i, 308.
Rizi, Francisco--his Rebuke to Antonilez, iii, 200.
Romans, Fondness of, for Works of Art, i, 88; for Etruscan Sculpture, i, 90.
Rome, Ancient, Glory of, ii, 152, and iii, 57 and 71; first Pictures brought to Rome, i, 88; Electioneering pictures at Rome, i, 91; Dramatic Scenery at Rome, i, 93; Ancient Map of Rome, ii, 160; 100,000 Statues at Rome, ii, 152.
Rome, Modem--its Churches, Palaces, Villas, and Treasures of Art, iii, 60.
Rosa, Salvator, ii, 91; Cav. Lanfranco's Generosity, ii, 91; Rosa at Rome and Florence, ii, 92; his Return to Rome, ii, 93; brightest Era of Landscape Painting, ii, 93; his Subjects, ii, 93; his wonderful Facility of Execution, ii, 94; his Flagellation by the Monks, ii, 95; Rosa and the higgling Prince, ii, 96; his Opinion of his own Works, ii, 98; his Banditti, ii, 98; Rosa and Massaniello, ii, 100; and Cardinal Sforza, ii, 100; his Manifesto, ii, 101; his Banishment from Rome, ii, 102; his Secret Visit to Rome, ii, 102; his Wit, ii, 103; his Reception at Florence, ii, 103; his Histrionic Powers, ii, 104; his Reception at the Pitti Palace, ii, 105; his Satires, ii, 92 and 105; his Harpsichord, ii, 106; Rare Portrait, ii, 106; his Return to Rome, ii, 109; his Love of Show and Magnificence, ii, 109; his Last Works, ii, 111; his over-weening Desire to be considered a Historical Painter, ii, 112; Ghigi, his Physician and Rosa, ii, 113; Lady Morgan's Account of his Death-Bed, ii, 115; Rosa and Poussin iii, 166; Rosa and Fracanzani, iii, 256.
Rosada Tivoli, iii, 185; his Works, iii, 186; his wonderful Rapidity of Hand, iii, 186; a Wager won, iii, 187; his Habits and Improvidence, iii, 187.
Rosa, Giovanni--a modern Zeuxis, ii, 139.
Rosalba, Carriera, iii, 133; her Modesty, and Knowledge of Tempers, iii, 133.