Yes, the present "French Hospital"--New Providence--was built ten years ago in the border-land beyond the Weavers' Garden, that great garden and pleasure-ground known as Victoria Park. It is the only garden left to the descendants of those old craftsmen who once dwelt in houses every one of which had its gay plot of flowers, its rustic arbour, or its quaint device of grotto-work, built up of oddly-shaped stones and pearl-edged oyster-shells. Do you think there is now no remnant of the old French folk left? Come for a stroll among the grand beds and plantations of this East-end playground, and you shall see. On holidays and alas! on those days when (to use the expressive term handed down from prosperous times) the weaver is "at play"--that is to say, waiting for woof and weft, and so wiling away the sad and often hunger-bringing hours--you will see him, with his keen well-cut face, his dark appreciative eye, his long delicate hands, his well-brushed, threadbare coat and hat; and the mark of race is plainly to be noted in his intensity of look and his subdued patient bearing. He comes of a stock which had it not been of the hardiest and the most temperate and enduring in the world, would have disappeared a century ago. On Sunday mornings, when the bells are sounding round about him, he is to be met with lingering (with who shall say what inner sense of worship) by the strange shrubs and flowering plants, or standing with a pathetic look of momentary satisfaction on his lean, mobile face, to mark the rare glow and gush of colour made by the blooms in a "ribbon" device of flowers on a sunny border by a dark background of cedar. But come and see what his forefathers might have called, in their Scripture phraseology, "the remnant of the children of Israel;" the old inmates of that French Hospital founded so long ago when De Ruvigny was the "beloved cousin" of George I., and Philippe Menard preached at St. James's; when the Duchess de la Force brought donation after donation to the work, and Philippe Hervart, Baron d'Huningue gave £4,000, all in one splendid contribution, to the building fund. Could they have seen (who knows that they have not?) this great French château rising beyond the park palings in a neighbourhood fast filling with houses, but still open to the air that blows from the Weavers' Garden and from the great expanse of land leading towards the forest, they would have recognised the familiar style of those grand mansions which in France succeeded the castles of the feudal nobility when Henry Quatre was king. The high-pointed roof with its irregularly picturesque lines, the quaint towers and spires, the slate blue and purple, and rosy tints of colour in slope and wall and gable; the various combinations of form and hue changing with every point of view, make this modern copy of the old French château a wonderful feature in any landscape, and the unaccustomed visitor seeing it as it stands there in its own ornamental ground, surrounded by a quaint wall decorated in coloured bands, wonders what can be the meaning of a building so full of suggestion; while if he be of an imaginative turn, he may fall into a daydream when he peers through the gate that stands by the porter's lodge.