In conclusion, I may explain that I have dealt more briefly with the architecture of these Gothic cities than with the Moorish monuments of Seville, Cordova, and Granada, my reason being that the general reader is more familiar with Gothic and Renaissance styles than with the rarer work of the Arabs.
To Mr. E. B. d’Auvergne I offer my grateful acknowledgment of the assistance he has rendered me in the compilation of the text, and my thanks are also due to Señor J. Lacoste and Messrs. Hauser y Menet for their permission to reproduce many of the photographs which appear in this volume.
Cathedral: Door of the Cross-Aisle (restored), 6
Cathedral: Stained Glass Window of the Thirteenth Century, 10
Cathedral: Stained Glass Window of the Fourteenth Century, 11
Cathedral: Central Gate of the Principal Porch, 13
Cathedral: Right Gate of the Principal Porch, 14
Cathedral: Detail of the Lower Part of the Principal Portico, 15
Cathedral: Arch of the Central Portico, 16
Cathedral: Left Gate of Principal Porch, 18
Cathedral: Door of the Chapel of St. Andrew, 20
Cathedral: Statue of Our Lady La Blanca in the Principal Porch, 22
Cathedral: Sepulchre of Don Ordoño II., 24
Cathedral: Sepulchre of Martin, First Bishop of Leon, 25
Cathedral: Detail of the Door of the Chapel of St. Andrew, 26
Cathedral: The Cloisters. Our Lady Del Foro and the Offerings of the Kings, 27
Cathedral: Spandril of Central Gate. The Last Judgment, 28
Cathedral: Spandril of Central Gate. The Last Judgment, 29
Cathedral: Detail of the Gate of the Chapel of St. Andrés, 31
Cathedral: Various Statues from the Cross Aisle, 32
Cathedral: Detail of the Right-hand Portico, 33
Cathedral: Choir Stalls. The Guardian Angel of Paradise, and the Archangel St. Michael, 38
Cathedral: Choir Stalls. Noah, Adam and Eve, 39
Cathedral: Choir Stalls. The Archangel Gabriel and Abraham, 40
Cathedral: Choir Stalls. Isaac and Jacob, 41
Cathedral: Choir Stalls. St. Mathias and St. Mark, 44
Cathedral: Choir Stalls. St. Luke and St. Bartholomew, 45
Cathedral: Choir Stalls. St. Andrew and St. Peter, 46
Cathedral: Choir Stalls. Santiago Alfeo and St. Philip, 47
Cathedral: Choir Stalls. St. John the Evangelist and Santiago, 48
Cathedral: Choir Stalls. Saint Mary Magdalene and Santo Domingo, 49