Another Connecticut man is meekly asked to "return the 3rd Vol of Don Quixote & take the 4th instead if he chuse."
Connecticut folk seemed to be particularly given to this slipshod fashion of promiscuous and unlicensed book-borrowing, if we can trust the apparent proof given by Connecticut newspapers in their many advertisements of lost books. In some notices it is darkly hinted that "specifications of books long lent have been given" (to the sheriff perhaps); and again, a meek suggestion that the owner wishes to read a long missing volume and would be grateful for an opportunity to do so. One ungallant soul advertised for "the she-person that borrowed Mr. Thos. Browns Works from a gentleman she is well acquainted with."
There was not the redeeming excuse for non-return sometimes given by like "desuming deadheads" nowadays, that the owner's name had been forgotten, for the inscription "Perley Morse, His Book," or "Catey Bradford, Her Book," or whatever the name might be, was quickly and repeatedly written by each colonial owner as soon as the book was acquired.
Frequently also the dates and places of residence appear. Even the very dates of ownership and the quaint old names are interesting. Bathsheba Spalding, Noca Emmons, Elam Noyes, Titherming Layton, Engrossed Bump, Sally Box, Tilly Minching, Zerushaddi Key, Comfort Vine--these are a few of the odd signatures I have found in old books.
Readers also had a pleasant habit of leaving a sign-manual on the last page of a book, thus: "Timothy Pitkin perlegit A.D. 1765," "Cotton Smith perlegit 1740." A clear-speaking lesson are such records to this generation--a lesson of patience and diligence. How we venerate, with what awe we regard the name of Timothy Pitkin, and know that he lived to read through that vast folio--the first ever printed in America--the "Complete Body of Divinity," a folio of over nine hundred double-columned, compactly printed pages! And yet, why should not Timothy Pitkin live through reading it when Samuel Willard lived through writing it? Entries of dates in old Bibles frequently show that those sainted old Christians had read entirely through that holy book ten times in regular order.
The handwriting in all these ancient books is very different from our modern penmanship, invariably bearing an appearance not exactly of much labor, but of much care, as if the writer did not use a pen every day--did not become too familiar with that weighty implement, and hence had a vast respect for it when he did take it in hand. Every _t_ is crossed, every _i_ is dotted, every _a_ and _o_ perfectly rounded, every tail of every _g_ and _y_ and _z_ is precisely twisted in colonial script. I think the very trouble and preparation incident to writing conduced to the finish and elegance of the penmanship. No stylographic pens were used in those days, but instead, a carefully prepared quill; and the ink was made of ink-cake or ink-powder dissolved in water; or, more troublesome still, home-made ink, tediously prepared with nutgalls, walnut or swamp maple bark, or iron filings steeped in vinegar and water, or copperas.