_The Rev. Dr. Opimian._ And that old church?

_Mr. Falconer._ That was the church of Saint Catharine, which was pulled down to make way for the dock by which her name is now profaned; an act of desecration which has been followed by others, and will be followed by many more, whenever it may suit the interests of commerce to commit sacrilege on consecrated ground, and dissipate the ashes of the dead; an act which, even when that of a barbarian invader, Horace thought it would be profanation even to look on.{ 1} Whatever may be in other respects the superiority of modern piety, we are far inferior to the ancients in reverence for temples and tombs.

Gryll Grange — Part 39

1 The saint whom I have chosen frequently to my mind the most perfect ideality of physical, moral, and intellectual beauty.'

Gryll Grange — Part 39

_The Rev. Dr. Opimian._ I am afraid I cannot gainsay that observation. But what is that stained glass window?

Gryll Grange — Part 39

_Mr. Falconer._ It is copied on a smaller scale, and with more of Italian artistic beauty in the principal figure, from the window in West Wickham church. She is trampling on the Emperor Maxentius. You see all her emblems: the palm, which belongs to all sainted martyrs; the crown, the wheel, the fire, the sword, which belong especially to her; and the book, with which she is always represented, as herself a miracle of learning, and its chosen universal patroness in the schools of the Middle Ages.

_The Rev. Dr. Opimian_. Unquestionably the legend is interesting. At present, your faith is simply poetical. But take care, my young friend, that you do not finish by becoming the dupe of your own mystification.

_Mr. Falconer._ I have no fear of that I think I can clearly distinguish devotion to ideal beauty from superstitious belief. I feel the necessity of some such devotion to fill up the void which the world, as it is, leaves in my mind. I wish to believe in the presence of some local spiritual influence; genius or nymph; linking us by a medium of something like human feeling, but more pure and more exalted, to the all-pervading, creative, and preservative spirit of the universe; but 1 cannot realise it from things as they are. Everything is too deeply tinged with sordid vulgarity. There can be no intellectual power resident in a wood, where the only inscription is not '_Genio loci_,' but 'Trespassers will be prosecuted'; no Naiad in a stream that turns a cotton-mill; no Oread in a mountain dell, where a railway train deposits a cargo of vandals; no Nereids or Oceanitides along the seashore, where a coastguard is watching for smugglers. No; the intellectual life of the material world is dead. Imagination cannot replace it. But the intercession of saints still forms a link between the visible and invisible. In their symbols I can imagine their presence. Each in the recess of our own thought we may preserve their symbols from the intrusion of the world. And the saint whom I have chosen presents to my mind the most perfect ideality of physical, moral, and intellectual beauty.