It was half-past six o'clock when they saw Jérôme's wife standing at the foot of the steps. Rosalie was a stout, motherly body with ruddy, mottled cheeks and a cheerful face.

Before dining, they took a hurried turn in the garden and went over the house. Élisabeth could not contain her emotion. Though there were no memories to excite her, she seemed, nevertheless, to rediscover something of the mother whom she had known for such a little while, whose features she could not remember and who had here spent the last happy days of her life. For her, the shade of the dead woman still trod those garden paths. The great, green lawns exhaled a special fragrance. The leaves on the trees rustled in the wind with a whisper which she seemed already to have heard in that same spot and at the same hour of the day, with her mother listening beside her.

The Woman of Mystery — Part 13

"You seem depressed, Élisabeth," said Paul.

The Woman of Mystery — Part 13

"Not depressed, but unsettled. I feel as though my mother were welcoming us to this place where she thought she was to live and where we have come with the same intention. And I somehow feel anxious. It is as though I were a stranger, an intruder, disturbing the rest and peace of the house. Only think! My mother has been here all alone for such a time! My father would never come here; and I was telling myself that we have no right to come here either, with our indifference for everything that is not ourselves."

The Woman of Mystery — Part 13

"Élisabeth, my darling, you are simply feeling that impression of uneasiness which one always feels on arriving at a new place in the evening."

"I don't know," she said. "I daresay you are right. . . . But I can't shake off the uneasiness; and that is so unlike me. Do you believe in presentiments, Paul?"

"No, I don't either," she said, laughing and giving him her lips.

They were surprised to find that the rooms of the house looked as if they had been constantly inhabited. By the Count's orders, everything had remained as it was in the far-off days of Hermine d'Andeville. The knickknacks were there, in the same places, and every piece of embroidery, every square of lace, every miniature, all the handsome eighteenth century chairs, all the Flemish tapestry, all the furniture which the Count had collected in the old days to add to the beauty of his house. They were thus entering from the first into a charming and home-like setting.