Another time a cloth-weaver came to live in a house next to Sandro's, and erected no less than eight looms, which, when at work, not only deafened poor Sandro with the noise of the treadles and the movement of the frames, but shook his whole house, the walls of which were no stronger than they should be, so that what with the one thing and the other he could not work or even stay at home. Time after time he besought his neighbour to put an end to this annoyance, but the other said that he both would and could do what he pleased in his own house; whereupon Sandro, in disdain, balanced on the top of his own wall, which was higher than his neighbour's and not very strong, an enormous stone, more than enough to fill a wagon, which threatened to fall at the slightest shaking of the wall and to shatter the roof, ceilings, webs, and looms of his neighbour, who, terrified by this danger, ran to Sandro, but was answered in his very own words--namely, that he both could and would do whatever he pleased in his own house. Nor could he get any other answer out of him, so that he was forced to come to a reasonable agreement and to be a good neighbour to Sandro.

[Illustration: SANDRO BOTTICELLI: THE MADONNA OF THE POMEGRANATE

Lives of the Most Eminent Painters Sculptors and Architects — Part 120

It is also related that Sandro, for a jest, accused a friend of his own of heresy before his vicar, and the friend, on appearing, asked who the accuser was and what the accusation; and having been told that it was Sandro, who had charged him with holding the opinion of the Epicureans, and believing that the soul dies with the body, he insisted on being confronted with the accuser before the judge. Sandro therefore appeared, and the other said: "It is true that I hold this opinion with regard to this man's soul, for he is an animal. Nay, does it not seem to you that he is the heretic, since without a scrap of learning, and scarcely knowing how to read, he plays the commentator to Dante and takes his name in vain?"

Lives of the Most Eminent Painters Sculptors and Architects — Part 120

It is also said that he had a surpassing love for all whom he saw to be zealous students of art; and that he earned much, but wasted everything through negligence and lack of management. Finally, having grown old and useless, and being forced to walk with crutches, without which he could not stand upright, he died, infirm and decrepit, at the age of seventy-eight, and was buried in Ognissanti at Florence in the year 1515.

Lives of the Most Eminent Painters Sculptors and Architects — Part 120