With such guarantees of continued good fortune, there was nothing, when Saskia was once of age, to necessitate longer delay, in the completion of his happiness, but in the autumn she was peremptorily called away to Franeker, a town in Friesland, between Leeuwarden and the sea, where her sister Antje, the wife of Johannes Maccovius, professor of Theology, was lying ill, and where, on November the ninth, she died. This untoward occurrence put an end to the possibility of an immediate marriage, and Saskia went to spend the winter with another sister, Hiskia, who was married to Gerrit van Loo, a secretary of the government, and lived at Sainte Anne Parrochie, in the extreme north-west of Friesland; while Rembrandt, discontentedly enough, no doubt, toiled through the long winter months in his studio at Amsterdam.

In the spring of 1634, however, the sunshine returned again into his life, and he commemorated the advent, appropriately enough, by painting the bringer of it in the guise of Flora. The period of mourning was now at an end, and some time in May, probably, Saskia once more returned to Hiskia's to make preparation for the approaching day; while Sylvius, as her representative, and Rembrandt began to arrange the more formal business matters. On June 10th, as recorded by Dr Scheltema, Sylvius, as the bride's cousin, engaged to give full consent before the third asking of the banns; while Rembrandt, on his part, promised to obtain his mother's permission. Whether he merely wrote to Leyden for this, or whether, as is more probable, he went in person, we do not know; but in either case he wasted no time, for on the fourteenth he produced the necessary documents, and prayed at the same time that the formal preliminaries might be cut as short as possible. His appeal was evidently received with favour, for eight days later, on June 22nd, at Bildt, in the presence of Gerrit and Hiskia van Loo, he was duly married, first by the civil authorities, and afterwards by the minister Rodolphe Hermansz Luinga in the Anna-kerk.

Great Masters in Painting: Rembrandt van Rijn — Part 18

As far as domestic happiness depending upon their relations with one another went, there is every reason to suppose that this union was a thoroughly successful one; but we cannot help, nevertheless, feeling some doubts as to whether it was altogether the best that might have been for Rembrandt. Frank and joyous, but strong-willed, not to say obstinate, recklessly generous and prodigal, and without a thought for what the future might bring forth, he needed some firm yet tender hand to check, without seeming too much to control, his lavish impulses. Impossible to drive, yet easy enough to lead, a giant in his studio, a child in his business relations with the world outside its doors, he should have found some steady practical head to regulate his household affairs and introduce some order and economy into his haphazard ways. Such, unfortunately for him in the end, Saskia was not. Devoted to him, she yielded in everything, and his will was her law. As her love for him led her to let him do always as he would, so his passion for her led him to shower costly gifts upon her--pearls and diamonds, gold-work and silver-work, brocades and embroideries; nothing that could serve to adorn her was too good or too expensive. She would have been as happy in plain homespun, as long as he was there; but to give largely was in the nature of the man, and the very fortune that she brought with her was an evil, even at the time, in that it led him to further extravagances, while in the future it proved a still more serious one.

Great Masters in Painting: Rembrandt van Rijn — Part 18